Loading...
HomeMy WebLinkAbout04-Mayor's Office CITY OF SAN BERN.bINO - REQUEST ~ COUNCIL ACTION Fe: Dept: w. R. "Bob" Holcomb, Mayor -.. Subject: Appoi ntment of Soni a E. Baker Fine Arts Commission per Mayor W. R. Holcomb's request. to the "Babll Mayor's Office Date: February 13, 1991 Synopsis of Previous Council action: NONE Recommended motion: e Adopt recommendation of appointment of Sonia E. Baker to the Fine Arts Commission per Mayor W. R. "Bob" Holcomb's request. ~- /,h /7 A- f/ / /;/ / ~-, - - /' Signature Supporting data attached: YES Phone: ext. 5133 Ward: ALL Contact person: Mayor W. R. "Bob" Holcomb FUNDING REQUIREMENTS: Amount: -0- Source: IAcct. No.! IAcct. DescriPtion) Finance: 4Incil Notes: 75-0262 Agenda Item No. 'I - . . RES U M E e Personal Data Name: Sonia E. Baker Home Address: 3147 Blythe Street, Highland CA Zip 92346 Age: Telephone: (714) 864-7620 Have resided in the City of San Bernardino since Marital Status: Education School of BlJs;npss Arlministrrltinn. Ilnivprc:;ity nf Ari7nn~. Tllrc:nn. AY';7nn~. M.S., Urban Planning, 1979 University of Oreaon. Euaene. Oreaon, B.A. General Arts & Letters. 1957 Renton High School, Renton, Washington, Diploma, Valedictorian . e Past Fmployment University of Kansas, School of Fine Arts, Lawrence, Kansas 9/87-9/90 EDUCATION/ MtM~tRSHIP COORDINATOR, OFFICE OF CONCERT, CHAMBER MUSIC, NEW DIRECTIONS SERIES Western Wisconsin RLgional Arts, La Crosse, Wisconsin. 11/80-6/87 ARTS ADMINISTRATOR University of Wisconsin, La Crosse, Wisconsin, 1980 LTE RESEARCH ASSOCIATE,CENTER FOR REGIONAL STUDIES Current Employment Occupation: Finn Name: Phone: Address: Zip Code: Affiliations: e . . Sonia E, Baker '. 3147 Blythe Street Highland, California 92346 Telephone: (714) 864-7620 PROFILE Effective combi1:tation of interpersonal.. ana~ytical and organizational skills. Strengths include (1) progr~m ~esl!\ll:' dev~lo'pment, and direction, .(2) management of marketing and promotions, (3) co~r?matlon with eXlstmg local, area and regional arts and cultural organizations, (4) design of po~c~es and procedures, (5) budg.et prep~ration and administration, (6) grant-writing, fundralsmg and developmen~, (~) public speaking and community outreach, (8) leadership of volunteer and support orgamzatlons. Experienced motivator, coordinator an~ ~atalyst. Can focus the efforts ~f diverse groups onto common goals. Able to access key deciSion-makers and benefactors, build effective networks and create synergistic relationships. Systematic in approach, creating information flows, alliances' and operating procedures that endure. Highly energetic. ' EDUCATION School of Business Administration, University of Arizona, Tucson, Arizona M.S., Urban Planning, 1979 University of Oregon, Eugene, Oregon BA,General Arts & Letters, 1957 . Renton High School, Renton, Washington Diploma, Valedictorian EXPERIENCE University of Kansas, School of Fine Arts, Lawrence, Kansas, 9/87-9/90 Education/Membership Coordinator, Office of Concert, Chamber Music, New Directions Series Developed programs to promote and enhance audience appreciation. Targeted community 'market segments' and developed promotional and educational activities/events to reach them. Initiated and built relationships with area arts organizations. Maximized "reach" through effective use of resources. Promoted and managed volunteer supporters. Located and developed corporate sponsorship. Promoted and facilitated the Swarthout Society (auxiliary member organization). Special projects: V.I.P. host to Resident Artists; created the Young People's Performance events; developed the F'1ve-Year Educational Long-Range Plan to expand programs and coordinate with opening of the Lied Center for Performing Arts in 1992; produced annual Swarthout Society Membership Brochures, as well as the regular publication of the Swarthout Society Newsletter. Concurrent with this full-time position, maintained community service efforts: Chamber of Commerce, Cultural Affairs Committee (Arts Calendar of Events, Business and the Arts Awards); Downtown Lawrence Business Association ("Main Street" Program of Events); and City of Lawrence (Arts in Public Places Program). Western Wisconsin Regional Arts, La Crosse, Wisconsin, 11/80-6/87 Arts Administrator . Provided leadership, direction and daily management of a seven-county, tri-state Regional Arts Council. Reported to the Board of Directors; coordinated all working committees; interpreted and implemented Board policies; established daily operating procedures; supervised all staff and volunteers; managed the organization's central facility, a federally designated Historical Landma.rk building housing arts organization offices, visual and performing arts events, classes and commumty events. Developed and controlled $100,000 operating budget, including monies from grants, fundraising activities, corporate donors and private benefactors. Initiated and maintain_lose relationships with member Organizati. ensured positive press and public relations within the larger community; served as liaison to City Hall. Executive Coordinator of all services to member organizations, schools, and regional communities. e Highlights: Won 17 foundation and government grant awards; founded and served on Executive Committee for United Fund for the Arts & Humanities; organized the Coordinating Committee of Arts Organizations Representatives; initiated and found funding for a successful building restoration project for organization headquarters, including historic preservation funds; increased visibility for the arts through marketing techniques, including extensive use of free media exposure and public speaking. University of Wisconsin, La Crosse, Wisconsin, 1980 LTE Research Associate, Center for Regional Studies Conducted a pilot research project on the impact to and requirements of older adults living in a rural region. Made key contributions to project design. Made contacts, conducted interviews, provided evaluation for potential of P.O.E. (Post Occupancy Evaluation) for a behavior assessment tool. Developed the written summation. U.S. Department of Housing & Urban Development, Tucson, Arizona, 1978-1979 HUD Intern, City Planning Department, City of Tucson Designed and established a Plan Monitoring System to give planning staff more precise information and access to resources for use in neighborhood-by-neighborhood planning. Organized the project, conducted original research; wrote, tested and emplaced the system. Wrote guidelines for maintenance and evolution of the system. Also provided related grant research for programs oriented toward families. Grey Advertising, New York, New York, 1974.1976 Executive Secretary e Reported to the Vice President in charge of the Revlon account. Maintained all Revlon account fmancial spreadsheets, communications and appointments. Supervised office personnel. CONSULTANCY Wyoming Volunteer Assistance Corporation, 1989 Seminar Leader, Time Management/Avoiding Burnout Lied Center for Performing Arts, Lawrence, Kansas, 1987-1989 Space/Design Consultant Downtown La Cross Business Association, 1984-1985 Year 2000 Plan Eastbank Artists, 1984 Retreat Leader, Organization/Board Development La Cross Tribune Readers' Panel, 1983-1984 Panelist and Advisor Wisconsin Arts Board, 1983.1987 Peer Panelist (also: budget testimony to House/Senate Budget Committee) General Public Speaking, 1975.Present . . Arts Administration, City Planning, organizational Development (also: media relatiOns and representation/testimony/lobbying to government agencies at city/state/regional levels) PUBLICATIONS e List on request. REFERENCES Attached. CITY OF SAN BERN~bINO - REQUEST I(.-:R COUNCIL ACTION F.--:W, R. "Bob" Holcomb, Mayor '-' Dept: Mayor's Offi ce Date: February 13, 1991 ,. Subject: Appoi ntment of Sally Kovach to the Ffne Arts Commission per Mayor W. R. "Bob" HolLomb's request. Synopsis of Previous Council action: NONE Recommended motion: ~ Adopt recommendation of appointment of Sally Kovach to the Fine Arts Commission . per Mayor W. R. "Bob" Holcomb's reques t. '-' /;/7/ 7 ~ /' Yes Ward: ext 5133 All Contact person: Mayor W. R. "Bob" Holcomb Phone: Supporting date atteched: FUNDING REQUIREMENTS: Amount: -0- Source: (Acct. No.1 (Acct. Descriotionl Finance: ,-. '-oneil Notes: Agenda Item No. tt ...'" n.,.." . RES U M E . e Personal Data Name: Sally Kovach Home Address: 787 West Edgehill Road, SB CA Zip 92405 Age: Telephone: 882-7043 Have resided in the City of San Bernardino since 1987 Marital Status: Education Doctor of Education, Columbia University Master of Fine Arts, Cranbrook Art Academy Master of Education, Wayne State University ~ Bachelor of Fine Arts, Michigan State University Past Employment . 1984 _ Artist, Blue Lake, Michigan, 1984/82 - Chair, Department of Art and Art History, Beloit College, Beloit, Wisconsin. Associate Professor Teaching sculpture and ceramics. (see resume attached) Current Employment Occupation: Chair. Department of lrt. California State University. San Rernarninn ~ Address: 5500 Parkway University Dr. Phone: 887-7459 Zip Code: 92411 Firm Name: SBCSU e Affiliations: National Council on Education in the Ceramic Arts (NCECA). Glass Ats Society (GAS). Michigan Glass Guild. College A t Association (CAA). Foundations in Art. Theory. and Education (FATE). National Art Education Association (NAEA). Michigan Art Education Association (MAEA). . . RESUME &u,y KOVACH ADDRESS: EDUCATION: 1Il Doctor of Education. ColUllbi.a University Master of Fine Arts. Cranbrook Art AcadellY Master of Education. Wayne State University Bachelor of Fine Arts. Michigan State University Sally Kovach 787 West Edgehill Road S8n Bernardino California 92405 l)f'(:-g-t';). -~"'J ~ 7/'1 -Int? _?<(sy ottC<.e. EMPLOYMENT EXPERIENCES eM... bep--+"'~e.Lt<< Ak, tAli1;N"~ ~Jz,.kD~<ve-&'\ly J Sari ~i~G/CA Art1st~ Blue Lake, Michigan (see note last page) Chair. Department of Art and Art HistorY. Beloit College, Beloit, Wisconsin. Associate Professor teachinv sculpture and ceramics. 19'11- 1984- 1982- 1984 e Organized the art faculty to revise the entire dellll1'tmental C1l1'1'i.culUII to strengthen it to meet the accrediting standards of the National Auociation ot Schools ot Art and Design (NASAD). Course contents lIere revised, nUllerous nell courses added, and substant1al tinancial support tor individual faculty members lias obtained tor nev curricular development. Received all-college approval ot nev curriculUII. Initiated total facility renovation of the tllo-building art complex, raising the departllent from the 1011 est level to the top level ot adm1n1strative priority tor renovation expenditures. created and stocked new claseroom!studios, galleries, a slide llbrar)', ottices, workrooms, and lounges, and renovated existing studios tor design, art education, sculpture, and ceramics. Initiated renovation ot surrounding grounda and landscaping. Initiated equipment repair, rebuilding and replacement to bring all un! ts in studios up to OSHA standards. Enforced standards for organization and c1E'.ning on maintenance staft. SUbataD+.i."y 1ncreased d811artment bud2et alloring faculty nell equipment parchas.. and greatly increased operating badgets. (For uuple, the Art Histo1'1 badget IIlIl tiplied by 4 and the d8JIartment work.-etu~ badget IIlIl tiplied by 6.) SUbatani<i."y detended and raised art taculty aalaries. Encouraged art tacul ty to aPPl1 tor academic research grants and suss..sf'ully defended these applications. e Initiated nuJleron& new recruitment activities. including obt--ini"g Art Scholarships, starting campus-vide Arts Reviell Days tor prospective students, establishing portfolio requirements, writing departmental brochures, and organizing an etticient contact system vith prospective students. . . Sally Kovach e EMPLOYMENT EXPERImfCES. CONTINUED Initiated interdepartmental promotion efforts with the Departments of Music, Dance, Theatre Arts, and English (creative II1'iting) to increase enrollments and internal and external college prestige. Served on ad-hoc committee to create new Division of Fine and Performing Arts. Substantially defended the Art Education pr02rall and returned its administration from the Department of Education to the Art Department. Justified increased faculty and curricular needs to the higher administration. Received approval of nev program from the Wisconsin Department of Public Instruction. Wri~ht Museum of Art. Curator of Decorative Arts. 1982-83 The Department of Art and Art History shares a portion of its facilities with the Wright Museum of Art, its several galleries, million-dollar permanent collection, and rotating contemporary exhibits. The museUll bas a representative historical collection and noted holdings in Far Eastern art and German Expressionist graphics. e Co-sponsored the initiation of the MuSeUll Studies prolZ1'Ul with the Director of the Logan Museum of Anthropology, a new academe minor in museum studies jointly administered by the depart.ents of Art and Anthropology Member. Wright Art Museum Director Search Co....i ttee. 1982.-83 Chair. Art Historian Search Committee. 198~3 Member. C8II'Dus Facilities Colllllli.ttee. 1982.-84 The presidential-appointed Campus Facilities Com.ittee consists of four top em.ini strators and three faculty members and meets weekly to assess, evaluate, and resolve the long tara needs of both academic and non-acadellic programs. Creation and funding of a large Campus Center, numerous building renovations, space allocations, and major budget priorities are routine considerations of this committee. Member. Cultural lUId CollllllUl1ity Aff"i,.s Colllllli.ttee. 1982.-83 The faculty Cultural and C01lllllUnity Affairs Committee ,solicits ideas, plans, and funds most campus visiting lectures and performances. e Me.ber..mcholo~ Review Co!!!,!,i ttee. 1983-84 Administrative-appointed faculty review committees are established periodically to reviev and assess various departments I strengths and weaknesses and lIIlIke suggestions for improvements in curriculum, staffing, and other needed areas. Revised several courses in foundation, oeramics, and sculpture, intro- duced an industrial design oourse to suppleaent the design curriculum, and developed new inte1"-disoiplinary senior seminar, Art in Context: Societal Uses of the Visual T..n'"'....e. (2) . . Sally Kovach e EMPLOYMmT EXPmII!JfCES. OONTlNUED 1979- 1982 e 1978- 1979 1975- 1978 e Assistant Professor heading the art education program and teaching design and clrawing at Skidmore College, Saratoga Springs, New York. Elected representative of the 3-D faculty to the Art Department Faculty Advisory Committee which participates in the evaluation of faculty candidates for tenure and recontract, 1980-82. Co-Chair, 1981-82. Initiated !':lri dmore Saturday Art. an enrichment program in the visual arts for area students, aged 7-17, taught by college art students and faculty. Wrote the COlll'Oetency Based Teacher Education proposal (CBTE) for the art teacher certification program approved by the New York State Department of Education. Developed three new courses: Art. Education. and Society. a selliDar course for senior art majors, Art for the Classroom Teacher. a media/methods course for elementary education and child development majors, and a winter ten course, the PsycholollY of Visual CollllllUJlications. Member of the all-college Teacher Education Co-ordinatina Committee. Awarded Facultv Research Grants for work in glass, 1980, 1981, 1982. Assistant Professor teaching art education, two, and three-dimensional design at East Tennessee State University, Johnson City, Tennessee. ETSU is the accredi t1ng institution of the Penland School of Crafts. (Occasional guest glass teacher at Penland School of cratts.) Assistant Professor and Co-ordinator of ceramics and glass department at Glassboro State College, Glassboro, New Jersey, teaching beginning through graduate level students in clay and glass. Member of the Art DepartIIent Budget and Facilities Committee, 197~77. Chair of the Art De'Dartment Bud2et and FacUities Committee, 1977-78. The Art Departllant vas organized by three major elected faculty colllllittees: Budget/Facilities, Curriculum, and Personnel. The ciepu'taent chair and the ch&irpeople of these three committees foned the principal decision ...lring board of the department. As cba1r of the Budget/Facilities Committee, I was responsible for all bIldcetary organization, determining and justifying all budget requests submitted by the department chair to the college adminis- tration and allocating all department monies. Maintenance problems, studio renovations, expanding facilities, i.e., designing a faculty office-complex from previously poorly used space, were all routinely adm1n1st.ered by the Budget/FacUi ties Committee. In addition, to alleviate ever present budget restrictions, I was able to tap previOuslY unused sources of money. By organizing several student art clubs, for example, the Ceramics/Glass Guild, the Exhibition Committee, GraphiCS, and so forth, \/e were able to channel over $10,000 in student government funds to pay for such things, as (3) . . SaJ.ly Kovach ~!MM EXPEIlTF.lfCES. OONTINUED gUest artists, workshops, student publications, and permanent gallery installs.tions. In addition, solicited donations in materials and supplies from area industries averaged over $10,000 annually. Member of the Art Department Portfolio Review Committee, 1975-76. Chair of the Art Department Admissions Committee. 1976-78. The voluntary faculty Portfolio Review Committee traditionally reviewed work of potential incoming students. Under IIf1 leadership, the committee expanded to become an Admissions Committee, under- taking the additional res'ponsibllity of active recruitment of new students through stUdent/parent/faculty conferences and campus tours, workshops in high schools, a workshop/conference for high school art teachers, revised bookkeeping procedures to eliminate loss through red tape confusion, and vastly increased publicity. While enrollments declined college-wide, new enrollments in the Art Department increased over sixty percent in 1977. Co-orninAtor of the ceramics and I!lass Prol!rlllll: e Major improvements in the ceramics facilities were made: the kiln room was redesigned and rebuilt by students, the electric kilns were all rewired to be brought up to OSHA standards, the courtyard out- side the ceramics studio was enclosed, and a salt kiln and large stoneware kiln were built. My contacts with industries in the area brought major donations in materials (over $12,,000), and our willing- ness to construct wbat vas-needed enabled us to. get improvements done. Additional courses were added to the curriculum: Advanced Ceramics, Bel!inninl! Glass. and short term courses, SaJ.t Glaze Processes. and How to Make it in the Crafts World. a business course for crafts students. Our glass program began spring semester, 1976, at Wheaton Village, Millville, New Jersey, receiving major publicity in papers, locally, state;..w:l;de, and in Philadelphia. A major regional Glass Conference was organized and held at Wheaton Village in April, 1977, with faculty, students, and professional production craftsmen attending from all over the east coast. e Several guest artist workshops were held featuring Philadelphia and east coast artists. Glassboro students also attended over twenty major workshops featuring internationally known artists at Tyler School of Art, Penn State University, Philadelphia College of Art, and Moore College of Art. My graduating students specializing in ceramics or glass have been placed repeatedly in good graduate schools (Cranbrook, Tyler, Alfred, etc.), teaching positions, or jobs in the field, including. professional potters and glallsblowers in industry and production craftsmen. (4) . . Sally Kovach ~LOYMENT EXPE1lT'rnCES. CONTINUED 1974- 1975 e 1971- 1972 1970- 1971 1969- 1970 1968- 1969 1965- 1967 1964- 1966 e Wrote and designed Art Department brochure, 1977. Member of the Graduate Committee, 1975-78. A faculty steering committee to direct the Master of Arts program in Art Education. Initiated and co-sponsored the annual student Print and Pot Sale. Faculty Advisor to the student Ceramics and Glass Guild. Organized national invitational exhibition of contemporary crafts at the Westby Gallery, March 1978. Allarded Faculty Research Grants 1977, 1978. Taught glass, art education and dralling at Bollling Green State University, BOllling Green, Ohio, as Instructor on one-year contract. Appointed to Graduate Faculty, January 1975. Hosted the Glass Art Society, international organization of glass professionals, for an afternoon 1I0rkshop and tour during the 1975 national conference in Toledo, Ohio. Designed and rebuilt BOllling Green State University glass studio, building tllO nell furnaces and three nail lehrs (annealing ovens). Taught junior high school art, Lederle Junior High, Southfield, Michigan, Public Schools. On educational leave of absence from Southfield, Michigan, Public Schools. Did substitute teaching, K-12, art and mathematics, in the Dearborn, Michigan, Public Schools. Taught adult education ceramics for the Southfield, Michigan, Public Schools. Taught high school art and mathematics, Southfield High School, Southfi.eld, Michigan, Public Schools. Taught elementary and junior high school art, Birney Junior High and Elementary School, Southfield, Michigan, Public Schools. Worked as a Resident Assistant (dormitory counselor) for Michigan State University, East Lansing, Michigan. Worked summers as a production lIeaver and craftsman at Greenfield Village and Henry Ford Museum, Dearborn, Michigan. (5) . . Sally Kovach . MAJOR SlllWS AND AWARDS (For brevity's sake regular gallery representation and faculty sho1ols are omitted. Active participation in both are assumed to be part of the professional responsibility of a studio faculty member.) e July 1977 Glass Works-1986. Invitational, ArtSource, Flint, Michigan. Glass on HolidaY. International invitational, The Gazebo, Gatlinburg, Tennessee. Solo Exhibition. University of Wisconsin/Parkside, Kenosha, Wisconsin. Solo Exhibition. Court Gallery, Wright Museum of Art Beloit, Wisconsin. Group Exhibition. National illvitational, Great American Gallery, Atlanta, Georgia. Glass on HolidaY. International illvitational, The Gazebo, Gatlinburg, Tennessee. Solo Exhibition!. Macy Galle17, ColUllbia University, Ne10l York, Ne10l York. Three-Person Sho1ol. Skidmore Gallery, Saratoga Springs Ne10l York. The Thirteen Collection. Previe10l Exhibit. Juried invitational, Sotheby Parke Bernet, Ne10l York, Ne10l York. American Glass '81. Invitational, Westlake Gallery, White Plaills, Ne10l York. Ne10l American Glass. Focus West Virginia, Exhibition of the Glass Art Society, Huntington Galleries, Huntington, West Virginia. 8th National Glass Exhibiti?n. Invitational, Habatat Galleries, Lathrup VllJ.age, Michigan. Women in Glass. National invitational, The Craf'tsman' s Gallery, Scarsdale, Ne10l York. ContellPorarY Glass Microfiche Exhibition-1978. Corning Museum of Glass, Corning, Ne10l York. ClaY. Glass. and Metal. Three Person Sh01ol, the Slocumb Gallery, Johnson City, Tennessee. 6th National Glass Exhibition, Invitational, Habatat Galleries, Dearborn, Michigan. ContellPorarY Glass Microfiche Exhibition-1977. Corning Museum of Glass, Corning, Ne10l York. eo' e te tional ts . T10Ieed Muse\lll of Art, University 0 Minnesota, Duluth, Minnesota, Jurors: Ruth L. lao and Harvey Littleton. April-May 1986 July-September 1984 October 1983 February-March 1983 August 1982 July-September 1982 April 1982 . April 1982 April 1980, 1981, 1982 May-June 1981 June 1980 April 1980 February 1980 1979 January 1979 April 1978 1978 (6) e March 1977 November 1976 November 1976 November 1976 December 1976 December 1976 October 1976 May 1976 e April 1976 1976 January 1976 i<ovember 1975 August 1975 Lay 1975 April 1975 Hay 1975 November 1974 e December 1974 (A) Denotes a\lard . . Sally Kovach MAJOR" .sHOWS AND AWARDS. OONTINUED National Glass Exhibition. 1977, Invitational, Habatat Galleries, Dearborn, Michigan. EiEht Craftsmen, Invitational, "Robert Kidd, Associates" Gallery, Bin:ingham, Michigan. ContelllPOrary Crafts Exhibition-1976, Dela\lare Art Museum, Wilmington, Dela\lare. Marietta ColleEe Crafts National, Marietta College, Marietta, Ohio. Marietta ColleEe Crafts Natio-' To"....".. Exhibition, Meristta, Ohio. Holiday Exhibition. Invitational, "Robert Kidd, Associates" Gallery, Birminghall, Michigan. Solo Exhibition, Gloucester County College, Se\lell, Ne\l Jersey. (A) Objects '76. Crafts Exhibition. Best Glass In Sho\l, Birmingham-Bloomfield Art Association, Birmingham, Michigan, sponsored 'by the Michigan Craftsmen Council. Scarab Club National Glass Sho\l, The Scarab Club, Detrcit, Michigan. ContelllPOrBrY Glass Exhibition, Wheaton Museum, Wheaton Village, Millville, Ne\l Jersey. ContelllPOrBrY Glass. 1976, ContellpOrary Art Glass Grcup, Lever House, Ne\l York, Ne\l York. ContelllPOrBrY Crafts Exbibition-1975. Dela\lere Art Museum, Wilmington, Dela\l&re, Jurors: Paul Smith, Helen Drutt, and Virginia West. (A) (A) Objects '75. Desimer-Craftsman Sho\l, Judges Choice A\lard, Purchase A\lard, Western Colorado Center for the Arts, Grand Junction, Colorado. Juror: Paul Soldner. NCECA-ACS Glass Show, National Council on Education in the Ceramic Arts presents to the American Ceramic Society national industry meeting, Washington, D~C. (A) Scarab Club National Glass Show, Honorable Mention, The Scarab Club, Detrcit, Michigan. Juror: Tom McGlauchlin. Toledo Area Artists Exhibition, Toledo Museum of Art, Toledo, Ohio. (A) Marietta ColleEe Crafts National, Judges A\lard, Marietta Ohio, Jurors: Richard Stankievicz, Charles Lekofsky, Astra Klienhoffs-Strcebel. . Glass Art ReEistrY, International competition for traveling slide exhibition, "Glass Art" magazine, Oaklana, California. (7) _ January 1974 January 1974 (A) December 1974 1974-1975 September 1973 Fall 1973 September 1973 November-December 1973 July 1973 _Harch 1973 November 1973 Harch 1973 May 1971, 1972, 1973 February 1973 February 1973 December 1972 1971 1971 November-December 1971 _November 1971 (A) Denotes award . &y Kovach 11AJOR SHOWS AND AWARDS. OONTI}roED Two-Person Show, Left Bank Gallery, Flint, Michigan. Artist Craftsman-~uchigan. Third Place Award, The Art Center, Mt. Clemens, Michigan. Juror: Robert Kidd. Artist Craftsman Invitational, Detroit Artists Market, Detroit, Michigan. Michigan Glass Guild State Traveling Exhibition, touring }uchigan under the auspices of the Michigan Craftsman's Council during 1974 and 1975. Opening Exhibition, Juried invitational, Detroit Artists l-larket, Detroit, Michigan. National Print Exhibition, American Embassy, Brussels, Belgium. Opening &~bition, LeBeau Gallery, Invitational, Saginaw, Michigan. Artist-Craftsman Invitational, Detroit Artists Market, Detroit, Michigan. Objects' 73. Designer-Craftsman Show, Western Colorado Center of the Arts, Grand Junction, Colorado. Graphics '73. Third Biennial National Print and Drawing Exhibition, Frances McCray Gallery, Western New Mexico University, Silver City, New Mexico. The Single Impression: International Exhibition of Monotvpes and Monoprints, Oglethorpe University, Atlanta, Georgia. Eighteen Printmakers, Zochipili Gallery, Rochester, l'uchigan. Annual Grosse Pointe Garden Show, Detroit Artists Market, Detroit, Michigan. ll..th Annual Mid-Michigan Exhibition. Midland Center for the Arts, Micland, Michigan. Art Center Michigan Annual, The Art Center, Mt. Cleme1ls, Michigan. Artist-Craftsman Invitational, Detroit Artists Market, Detroit, Michigan. 7th Biennial Michigana Retional Art Exhibition, South Bend Art Center, South Bend, Indiana. Michigan/71 COmPeti ti ve. Midland Center for the Arts, Midland, Michigan. Artist-Craftsman Invitational, Detroit Artists Market, Detroit, Michigan. 22ndExhibition for Michigan Artist/Craftsmen, Detroit Institute of the Arts, Detroit, Michigan. Juror: Francis Merritt. (8) -1964 1964- 1968 _ 1969- 1972 1970 1971- 1972 1972- 1975 e 1980- 1986 - - . &allY Kovach EDUCATIONAL EXPERImCES Graduated fro. Fordson High School, Dearborn, Michigan, January 1964 as class valedictorian. Attended Henry Ford ComlllUu:ty College, Dearborn, Michigan, during the spring semester. 4.0 average Attended Michie:an State University. East LansiJ:Ig, Michigan, on a Merit Scholarship. Graduated in 1968 with highest honors. Received a Ba:Chelor of Fine Arts degree and a Michigan teaching certificate, K-12. Major: Fine Arts, with emphasis in prin+..alrlng; Minors: Grafts, Mathematics Officer or member of the following honorary societies: President, Kappa Delta Pi, education honorary Student Board Member of the Honors College Member, Phi Kappa Phi, all-university scholastic honorary Member, Alpha 1alIIbda Delta, freshman honorary Participated in the following major student government activities: Member of the Academic Co-ordiJ:lating Colllllittee who initiated Student Advisory Collllllittees in every departllent of the university to work with chairs and deans to establish policies and procedureS. Secretary of the Student Academc Council, the acadellic branch of student govermaent, consisting of student representatives from each of the numerous colleges on campus. Student me.bar of the faaul tJ Lecture-Concert Series which brought nationally known entertaiJlllent to caJlPUs. Student .ember of the faculty University Grading Coaaittee which initiated _jor changes in the university's grading policies. Chair of the Art Depart.ent's Studmt Adviso%'1 Coaaittee Student Government Awards: Semar of the Week One of n 50 OutstandiJ:Ig Wo.en" Member of the '68 Club, 68 outstandiJ:Ig graduates of 1968 Began WaYne State University. Detroit, Michigan, as a graduate student iJ:I pr1ntmalriTlg. Transferred iJ:Ito the College of Education and received a Master of Education de e iJ:I Edu 0 0 with primary research iJ:I he field of creativity. Began blowing glass at the Bloollfield Art Association, B1rII1ngham, Michigan. Received a Grallhics Assisbntship to Havstack Mounhin School of Grafts. Deer Isle, MaiJ:le, for their SUIIIIIer session. ContiJ:Iued blowing glass there. Blew glass at the Art School of the Society of Arts and Crafts (now Center for Creative Studies), Detroit, Michigan. Began cranbrook Art AcadellY. Blooll1'ield Hills, Michigan as a graduate student iJ:I pr1n+..alrlTlg. Elected departllental representative, then Vice- President of the student governing board, the studio Council. Transferred to the sculpture departllent as ~ass Tea...Mnl7 Assistant. Designed and rebuilt Cranbrook glass facili es. Received a Master of FiJ:Ie Arts degree as first glass major fro. cranbrook. MiJ:lors: prin+....lrlng and fibers Doctoral candidate at Teachers Collelle. Columbia University. New York. Doctor of Education degree awarded 1987. D1ssertaUon topic: Professional Grafts Education: Historical/Contemporary Alignments. (9) - -- - - . . Sally J:ovach PROFESSIONAL AFFILIATIONS aOrk c Po olio Files of the il. ork is repre.eted in privat.e, IllUseum, governmental, and corporate collections. Na 0 tion in the C Art NC mllllber of this nati orgaIlization of ceramic and glass college t.eachers and professionals. One of 15 artist.s selected nationally by Ncn to represent. the abest. of cont.aponry work being produceda in glass to the AIIIerican Ceramic Society, national industry meeting. 1975, Washington, D.C. ens ot tour glass artist.s selected nationally :to give slide presentation of work, n\lh1 Glass for the Creative Stat.llIIent.n, at. the 1977 national conference, Greeley, Colorado. G1...s Art Society (GAS). member of this international organization of glass professionals. Michillan Glass Guilq. one of the original founders and first secretary to this state organization. Nevsletter Editor for several years. Collelle Art Association (CAA). member of this national organization of college art teachers and professionals. Foundations in Theo and Education FATE millibar of this affiliated organization of College Art Association aimed at supporting studio and acadllllic foundation education in the arts. One of six college administrators selected to give a presentation, nLearning _ Hov to Teach the Basics: The Education and Evolution of the Foundations _ Professionaln, at the Mid-America College Art Assooiation Conference. Iova City, Iova, 1982. Natio Education ev York state s 00 tion NY TA Numberous presentations, vorkshops, and gallery taJJts have been given to college audiences and local SIIId state art organizations. WORlt IS TT.T.USTRATED IN THE FOLLOWING PUBLICATIONS (For brevity's sske, nevspaper revievs are omi ttedo) e Microfiche ContelllllOrsrY Glas. m!, 1979, Microfiche reviev of oontemporary international glass art, Corning MuSWIII of Glass, Corning, Nev York. ContellDOr&rY G}.... ~ 1978, Microfiche reviev of contemporary international glass art, Corning Museum of Glass, Corning, Nev York. " IntSfi!tional MaD.... "e ass Art. December 1974, ColIIPetitive International Registry of Glass Artists, p. 9, 0-1I-1,,,d, California. Glass Art, December 1973, COlIIPetitive International Registry of Glass Artists, p. 8, Oakland, California. Redonal Art Journal. RiVS1'1"lU1, ! Journal of ~ Arts, Vol. 1, No.3, 1973, Detroit, Michigan. ~j.etdes't. Vol. 1, No: ~Apru 1966, Lansing, Michigan. Red Cedar Reviev. Vol. 4, No.1, Spring 1966, Lansing, Michigan. . Trade Journal Buil~'l"-;s. February 1964, cover photo, Cedar Rapids, Iova. (10) e e e . . Sally Kovach Note: (from first page) In early 1984 I decided to begin looking for an administrative position in a larger or more professional art institution. Within a few months I was surprised and delighted to find my applications successful as I was being considered a final candidate in a number of administrative searches. In an interview for a Dean's position at a large midwestern university (a position I was given to understand would be offered) I asked the about.-to-retire Dean about the possibility of a ten-month rather than twelve-month contract. When, surprised, he questioned my request, I explained that my ow professional work was significant to me. He chuckled conspiringly saying, "I thought, at our level, one was past all that silliness." I was struck by the thought that not only was I not past what I didn't consider silly but in my last ten years of university level teaching and administration my commitment to my ow studio work, while intense, had always, I believe rightly, been second to my commitment to a college. I reviewed my finances and within days decided to resign my current position and withdraw as a candidate where I was under consideration. I felt I deserved and needed time to reaffirm my ow involvement in my work and reestablish my continuing reputation as an artist. An art administrator in an educational institution need not be an artist. But one must know, at a gut level, the degree of involvement necessary to make that stuff we call art. (ll) - - CITY OF SAN BERNeDINO - REQUEST FeR COUNCIL ACTION F_ W. R. "Bob" Ho~comb)'4aYOr Dept: t1ayor' s Offi ce ,-- - - ' Date: February 20, 1991 Subject: Appointment of Glen 1. Gipson to the Community Television Commission per Councilman Tom Minor's request. Synopsis of Previous Council action: NONE Recommended motion: e To approve the appointment of Glen I. Gipson to the Community Television Commission per Councilman Tom Minor's request. Contact person: W. R. "Bob" Holcomb. Mayor Phone: extension 5133 Supporting data attached: YES Ward: .sth ward FUNDING REQUIREMENTS: Amount: -0- Source: (Acct. No.) (Acct. Descriotionl Finance: anCil Notes: Agenda Item No. 'I 75.0262 e e e . . City of San Bernardino INTEROFFICE MEMORANDUM 9102-1101 TO: Mayor W. R. "Bob" Holcomb FROM: Council Office, Ward Five SUBJECT: Appointment - community Television commission DATE: February 11, 1991 COPIES: ------------------------------------------------------------- Request Glen I. Gipson be considered for appointment to serve on the Community Television Commission. A copy of Mr. Gipson's resume is attached for your information. -/ z,m ~ TOM MINOR Councilman, Fifth Ward TM:jv Attch. . RES U M E . _sonal Data e: Glen I. Gipoon Home Address: 6495 Pa1.m Ave. San B~na4d.tno, CA 92407 Date of Birth: Janua4Y 30, 1940 Telephone: (714) 887-5445 Have resided in the City of San Bernardino since 1950 (41 ljea4;,1 I am xx am not a registered voter. Mari tal Status: MMued 31 yealLo - wi6e Joanne - 2 ehil.dlLen ageo 22 and 20 Education . Past e GILadua.te San BelLnalLd.tno High Sehool 1957 A;,ooe.i.ate 06 AlLto VeglLee San BelLnalLd.tno Va.t.e.ey Co.e..tege 1969 VauoU4 Navy teehn.i.ea.t oehoo.l.6 EmPlo:.ment U. . Navu - 1959 :ta 1963 I.B.E.W. Loea.t #477 - San BelLnalLd.tno, CA 1963 to plLeoent Current Employemt Address: I.B~E~W. Lo~nP #477 955 W. Je66e1L6on - San B~nMd.tno, CA . phone: 884-9816 Firm Name: Affiliations I.B.E.W. -OM Ladu of.. 1:.he. AAAUhlrJ:tiDrL CarnnJlf' C.hllhf'h The information provided is factual to the best of my knowledge. I understand that I will be required to sign a "Statement of Economic Interests" form as required by law. and that I will abide by all the codes and ordinances of the City of San Bernardino and the State ~f California. .dLLJ~Q4~V SIGN FOhhllnhlfA11 ATE' 1QQ1