Loading...
The URL can be used to link to this page
Your browser does not support the video tag.
Home
My WebLink
About
R26 EDA
r 4 ECONOMIC DEVELOPMENT AGENCY OF THE CITY OF SAN BERNARDINO REQUEST FOR COMMISSION /COUNCIL ACTION FROM: ANN HARRIS SUBJECT: SAN BERNARDINO Executive Director, Main St. SYMPHONY ORCHESTRA DATE: September 23, 1998 ORIGINAL ---------------------------------------------------------------------------------- Synopsis of Previous Commission /Council /Committee Action(s): None Recommended Motion(s): (Mayor and Common Council) MOTION: That the Mayor and Common Council approve a loan to the San Bernardino Symphony Orchestra in the amount of $175,000 to be amortized over five (5) years. Contact Person(s): Gary Van Osdel /Ann Harris Project Area(s): All Phone: 5081 Ward(s): One -Seven (1 -7) Supporting Data Attached:❑X Staff Report ❑ Resolution(s) ❑ Agreement(s) /Contract(s) ❑ Map(s) 21 Ltr /Memo FUNDING REQUIREMENTS: Amount: $175,000 Source: CRA Funds % Budget Authority: SIGNATURE: G�c GA Y N OSDEL, Exec ve Director Eco riic Development ency Commission /Council Notes: ABH1ag:10- 05- 02.cdc R 1 xv�evm� B. 41HIARRIS( Exe utive Director Main Street COMMISSION MEETING AGENDA MEETING DATE: 10/05/1998 Agenda Item Number: /0//919 R'q & (46 l Presented by the Inland Empire Symphony Association Stewart Robertson Music Director August 14, 1998 Noreen Miller Chairperson of the Economic Development Agency - Ward 7 201 North "E" Street - Suite 301 San Bernardino, CA 92401 Dear Ms. Miller: 362 West Court Street San Bernardino, CA 92401 909 - 381 -5388 Edward G. Hill, Jr. President The San Bernardino Symphony is desirous of a five year loan of $175,000 to secure its future. The reason for seeking City funding is to obtain financing at a lower rate of interest than is available in the market place. The Symphony has accumulated an indebtedness of approximately $175,000. (This debt has been funded by Arrowhead Credit Union and personal loans.) Our projected 1998 -99 budget should derive a osp itive cash flow in excess of $20,000. Members of the Board of Directors and other supporters will underwrite (guarantee) the repayment. We expect to correct the debt deficiencies to repay the loan from: 1) Pro - Active Board of Directors 2) Concert efficiency - more than one concert from multiple rehearsals (See Riverside Events). 3) Event Fund Raisers such as the New Year's Eve Gala. 4) Expanded audience participation from family and children. 5) Increased grants and donations from local business and industry. Marie Alonzo Marilyn Bidney Rosemary Evans Trini Gomez Wilfred Lemann Gary Miller Ann Root William Anthony Maurice Calderon Herbert Fischer Allen Gresham Mildred McKim Patrick Morris Lynda Savage David Ariss Jenne Choisnet Brenda Frederick Clara Gresham Philip Mark Louis Pelini Philip Savage Kendall Baker Robin Cochran Robert Fredericks Louis G. Herz Timothy Martin Jerry Peterson George Schnarre Dorris Ballard Gloria Cutler Robert Fullerton Evelyn Hill Esther Mata Frank Plash Mary Schnepp Judith Battey Carl Dameron Dorothy Garcia Judy Hubert Margaret Matich Lucia Powell Kirk Stitt Brenda Bean Mark Edwards Ernest Garcia Ann Ivey Mike Maudsley Betty Richli Judith Valles Gerald Bean Charles Eisenhard Graciano Gomez Diana Jernigan Ruth Messenger Joann Roberts Gregory Yaroslow David Kennedy 6) Increased grants from philanthropic organization. 7) Reciprocal orchestra operations with Riverside. 8) Reciprocal activity with Cal State University and local school districts. 9) Run out concerts in Rancho Cucamonga, Ontario and Upland. These directions and re- organizations should result in an economically sound Symphony operation. Attached is: A) 1998 -99 Season Schedule. B) 1998 -99 Budget Projection and Comparative Data. C) Symphony at Crossroads (Comments and Analyses of the Symphony's Mission). D) Brochure for Grants Solicitation. E) Inland Empire Symphony Association's Board Roster. Re ully yours, n Edward G. Hill, Jr. President, Inland Empire Symphony Association cc: Mayor Judith Valles Ann Harris EGH/bd 1998 1999 Concert Season 1j MA L- EXHIBIT B BUDGET SAN BERNARDINO SYMPIIONY 1998 -98 PROJECTIONS 1997 -98 ACTUAL Revenue & Support Season Tickets $65,000 $52,771 Single Tickets $10,500 Contracts Canto Bello $500 Redlands Bowl $1,800 $4,514 Inland Dance $5,000 $4,071 Master Chorale $500 $0 Recitals $100 $50 Grants City of San Bernardino $71,500 $64,500 Other $27,000 $3,594 CDBG $15,000 - Program Advertising Season $6,000 $7,100 Single Concert $4,000 - Charitable Contributions $15,000 $12,734 Guild $25,000 $28,627 Misc. /Auction $5,000 $7,843 Total $251,900 $185,900 $252,000 (R) $186,000 * Included with Inland Dance -17- SAN BERNARDINO SYMPHONY 1998 -99 PROJECTED 1997 -98 ACTUAL Cost of Sales Musicians' Salary $91,500 $88,911 Increase Salary - _ Music Director $43,000 $42,144 Guest Artists $5,500 $10,370 Stage Manager $1,250 $1,250 Stage Hand $4,000 $4,102 Box Office $375 $250 Outside Services $2,500 $5,668 Travel $600 $3,129 Auto Allowance $250 $0 Truck Rental $1,250 $1,156 Music Rental $1,500 Theatre Rental $8,800 Audition Hall $1,000 y Ticket Printing $500 Printing $12,500 $19,049 Advertising $5,000 $0 Meals/Receptions $1,000 $852 Lodging $200 $395 Insurance General $1,500 $903 Insurance Worker's Comp $3,500 $5,196 Supplies $750 $741 Storage $1,000 $706 Total $187,475 $189,704 $187,500 (R) $189,704 -18- SAN BERNARDINO SYMPHONY 1998 -99 PROJECTED 1997 -98 ACTUAL Revenue $252,000 $186,000 Operating Expenses Staff Salaries $36,000 $31,380 Payroll Taxes - Admin. $4,300 $2,508 Office Supplies $1,500 $1,500 Telephone $3,600 $3,168 Bank Charge $200 $175 Credit Card Discounts $1,500 $1,038 ASCAP Fees $150 $122 Payroll Service $800 $171 Accounting & Legal $4,800 $9,600 Dues & Subscriptions $250 $158 Computer Expense $400 $385 Repairs & Maintenance $200 $41 Depreciation Expense $1,800 $2,376 Interest Expense $9,000 $9,000 Total $64,500 $61,617 -19- PROJECTION ACTUAL Revenue $252,000 $186,000 Less Cost of Sales $187,500 $189,700 Operating Expenses M1_500 $61,600 Net Income $0 - $65,300 Plus Sinfonia Overhead JILOOO $23,000 Total $18,000 - $42,300 -19- THE SAN BERNARDINO SYMPHONY AT A CROSSROADS MUSIC SUPERIORITY VERSUS LOCAL EDUCATION Over the past few years, I have been increasingly involved in the Symphony operations. It is an involvement that is much greater than I had anticipated. WHAT ARE MY OBSERVATIONS OF THE SYMPHONY ORGANIZATION? 1. Our symphonic- oriented population is inadequate as of this date, 2. There are powerhouse symphonic organization in the Los Angeles/Orange County area, 3. We are capable of economically creating a symphonic - oriented educational program for families, and 4. We need an Executive Director. It has become clear to me over these two years that the Symphony cannot become an orchestral organization that can compete in musical expertise with the Los Angeles or Orange County symphonies. Our community, will not financially (at least at this time) support to the amounts necessary to draw from these established orchestras. As of this date, a symphonic organization committed to our children's lack of music education should be enthusiastically supported and assistance from governmental and corporate sponsorship should be also be attracted. A music culture is a desperate need in our families and children for music understanding, not only the passive enjoyment of sound, but has a reading/mathematical basis and role in societal and culture history. A children's time in music, as with reading, is a lifetime adventure. Our orchestra could be the stabilizing force in that learning process which cannot be underestimated. 1 WHY CAN'T WE COMPETE? We are a stepping stone or ladder climbing stop. Musicians seeking their permanent goals and niche will seek their important symphonic assignments. It is clear from our labor negotiations, that the larger core of Musicians of our symphony participate in San Bernardino only if less prestigious options do not occur. If we expect to compete, our expanding population must include a larger number of symphony - oriented people or we must merge with other Inland Empire symphony orchestras. These actions are locked in problems of time. One might think that the obvious merger of local symphonies could occur easily, there is a great deal of provincialism that may never be overcome. WHAT ARE THE POSSIBILITIES IF WE CONTINUE WITHOUT REDIRECTION? If we pursue the historic path the symphony has followed, the symphony can probably limp on. Successful fund raisers, a better job of attracting grants, and/or contributions from local donors are possibilities, but this process takes a tremendous amount of voluntary effort in order to sustain the orchestra for a very moderately increasing audience. Our statistics show that the audience grew throughout the season, cumulating in the largest audience at the final program of the year (it is interesting to note that when we began our operation of the symphony, there were no attendance records. In the beginning, the only way to accommodate attendance records was to pick up the stubs and count them at the end of the performance). In pursuing our current direction, I take some pride in the fact that we have reduced our annual deficit, but most of that savings has come through the elimination of an executive director. Attaining a profitable bottom line will not occur easily under the process we now follow (the potentials for profit in the present 2 direction have to do with increasing population, a better economy and a marginal expansion of the family musical). WHAT ARE THE BENEFITS OF FAMILY /CHILDREN EMPHASIS An emphasis on family and children audiences as well as local musician orientation can be at the core of audience expansion and economic success. Our contemporary society is finally recognizing the dramatic deterioration in the standards of children's conduct. This conduct is viewed by many as being the least acceptable in several generations. Music and the arts can be a component in lifting these standards. I am aware that a redirection to families and more local musicians will probably result in the loss of some of our existing subscribers. They will recognize the reorientation as a diminishing of the orchestra's quality and program content. The intellectual and literate music audience will feel cheated in the musical experience, and rightly so, and they will feel slighted for the years of faithful participation in the present processes that exist. Additionally, the musicians will feel somewhat of a pinch, particularly those from Los Angeles. My perspective is that donors and contributors want to see their dollars have the greatest exposure in the marketplace. Our greatest attendance comes from programs that are oriented to children and the family. Far and away the most popular concert is the Nutcracker series which is promoted through the schools, and the orchestra. The hall is at or near capacity for all performances. Last year, when funds failed to be available for the orchestra's support of the program, the school district immediately recognized the importance and added the amount necessary to pay the orchestra's salary. The orchestral cost per head for that was about $4.00 /attendee. relative to that production. In comparison, it is difficult to convince donors and fenders, that their monies support an orchestra cost of $20.00 to $25.00 per attendee. 3 The symphony has a great opportunity to reduce the cost per attendee by emphasizing local music Projects. It is helpful that our mayor is committed to revival of music education and that our school systems are similarly disposed (and I read in the papers about a large federal move in this area). This is true not only in the K -12 school grade but at the college levels as well. Business organizations are also expanding their support of cultural activities. In fact, it would be difficult to find any important segment of our society that does not support encouraging the arts. WHAT DO WE NEED TO ACCOMPLISH? Our task for redirection will be no less personally demanding than our existing one. We need to strengthen our committees. At our last board meeting, I passed out committee assignments, there was real rhyme or reason for the selections of the committee assignments. WHAT ARE THE COMMITTEE TASKS? The first committee meeting I had was with the Strategy Committee. The Committee, made up Primarily of financially grounded Board Members, turned out in force, We discussed at length at the directional problems set forth as well as the current financial condition and the long -term strategy for payment of loan to be provided by the City of San Bernardino. My second meeting was held with the Symphony Guild. The purpose of that meeting was to begin to organize the relationship of a next season program with the activities that could be adjunct to each program, i.e., piano competition. The Guild is very active at our Committee meetings. It has been one of the functions of the Guild to find ( ?) food and drink, and support Other activities intended to enhance the desirability of the concert. At our Committee Meeting, The Guild's president, Dottie Garcia and several members of the Guild reviewed the program for the coming season making a number of suggestions to broaden the concerts to events. 4 The Promotions /Communications Committee, scheduled to meet two days after the Guild meeting was poorly attended. It was my intention that this committee should take responsibility and /or charge of promoting the symphony events. They would explore optimizing the communication within the symphony organization, promote the concert and its event - oriented element. The Promotions/Communications Committee have a building block from the Guild meeting upon which event suggestions could be refined and augmented. Our meeting was unsuccessful, only Doug Rowand showed up for that meeting but the advance notice for the meeting was short. The Education/Communication Committee was not called. The Education/Communication Committee should coordinate those education activities that are a part of the program concepts.(i.e., the Education/Communication is directly involved in the Piano Competition and the family concerts). In my overview, all of the Committees are interlocked in the same process to expand the symphonic role in the Community but each being focalized in a slightly different direction. It is very important for the Promotions/Communications Committee to have that information which Educational/Communications features and needs communication with the Guild activities for that same event in order to provide successful public relations. CONCERT CONTENT Finally, a comment upon the musical content portion. The musical director has almost full control over the content of the music. For the past several years, the Music Committee meetings met to resolve the concert content but had a difficult time in reconciliation. The result being a late Program resolution and season promotion. We need the Music Committee to be re- instated and 5 begin a 1999 -2000 season schedule process this summer to overcome this delay and in adequate Promotion time. It is anticipated the program should be restored by December 31, 1998. As a result of my experience in the symphony operations, I recommend The General Board continue to meet four times ate, but, I believe, those meetings should be held three times in the fall, bewinning in August October and December with one meeting in late April or early May to structure the next season's activities. The Executive Committee should meet monthly on a same day /time of the month basis. Committee Meetings (Board membership is not required for Committee participation) should be held as often as necessary to accomplish their tasks. 6 MUSIC COMMITTEE This committee should be meeting no later than August or September of 1998 to select music for the 1999 -2000 season. The season's scheduling should be accomplished before the end of 1998. MUSIC EDUCATIONAUCOMMUNICATION COMMITTEE Pursue interaction of the various music education programs that exist in the school, privately, as well as the particular programs to the Promotions/Communications Committee. THE PROMOTIONS /COMMUNICATIONS COMMITTEE Acquire data from other Committees to assure coverage in media and provide insights from being at the center of the symphony. THE STRATEGY COMMITTEE The Strategy Committee should be reviewing materials to be distributed to various funding organizations and provide access to these organizations. THE GUILD The Guild's role with the Symphony should be promoted to ensure the City is fully aware of benefits of Debs, Docents and New Year's Eve Gala. This promotion should result in expansion of the Guild. 7 TABLE OF CONTENTS 1) Goals and Activities 2) 1998 -99 Season Brochure 3) Sponsorship Suggestions 4) 1997 -98 Reviews 5) Background Information 6) Make A Note - The Docent Program 7) Sinfonia - Mariachi Youth Education Program 8) The New Year's Eve Viennese Gala - Fund Raiser, 4`h Year 9) Sinfonia Program i 10) The James K. Guthrie Music Library GOALS AND ACTIVITIES The goal of the San Bernardino Symphony is to provide the most professional symphonic music to the families of the Inland Valley. Some may believe that the primary function of the Symphony is to perform classical music to an older, gray- haired audience. If this is your perception, you are not familiar with the San Bernardino Symphony Orchestra. We do play classical music to enhance the understanding of music evolution, but our community commitment is much broader. We have: 1) Music For The Youth: a. Docent Program b. Ensemble Programs c. Conductor Lectures and School Visits d. Youth Symphony Participating Programs e. Mariachi Youth Programs f. Debs at the Symphony 2) The Sinfonia Mexicana: a. Mariachi Concerts b. Mariachi Summer Camp c. Classical Sinfonia 3) The Guild: a. Concert Fund Raisers b. New Year's Eve Gala c. Pre and Post Concert Events d. Docent Presentations 4) Music for the City a. The M' Anniversary Celebration of the California Theatre - a Tribute to Frank Sinatra b. Artists at the Stampede (Inaugurated in 1999) 5) The Guthrie Library: a. Provide musical scores to the nation's orchestras We bring this music to San Bernardino as an intellectual, social and personally uplifting event that makes "Great Days in San Bernardino ". San Bernardino Symphony Orchestra Donor Le vel v wid Beim f 1.v Friends $50 to $124 Benefit, "Friends' listing in our program books and invitation to a Sponsors Recognition Day Patron $125 to $249 Benefits listed above plus a voucher for two tickets to the Family Concert in January Principal Chair Sponsor S500 to $999 Benefits listed above and four season tickets to the San Bernardino S\- nphony Orchestra concerts President's Club $1,000 to $2,499 Benefits listed above. 25 vouchers for a single concert, and one ticket to the New Year's Eve Gala Podium Sponsor $2,500 to $4,999 Benefits listed above, 50 vouchers for a single concert, and t\yo tickets to the Nc\v Year's Eve Gala Concert Sponsor S5,000 to $9,999 Benefits listed above, full page ad, recognition banner at a concert and all concert publicity. sponsorship name on the marquee for one \yeck prior to the concert, vouchers for 100 single concert tickets for each $5,000 of sponsorship, and four tickets to the New Years Eve Gala Estate Planned Gifts Planned giving can provide the means for you to make a consequential gift to the symphony that will, at the same time. result in benefits to you and your famiIv. Please contact the San Bernardino Symphony Orchestra President at (909) 881 -1864 San Bernardino Symphon- Amount. $ Name Address City State CA ZIP Telephone Number ( ) Check 0 Visa Mastercard O AMEX Discover Card Number Expiration Date Make checks payable to the San Bern:u•dino Symphony Orchestra Please clip off form and mail in enclosed envelope N 'TUESDAY March 10, 1998 Vv /t/ II SAN • `,,/ COUNTY The, i All i �atll `The Magic Flute' -solid, gifted. performance By RALPH ANDREWS Special to The Sun Mozart's "The Magic Flute." For some it celebrates the Masonic philosophy of en- lightenment. Others see it as a comedy or a fairy tale set in ancient Egypt. Some, how- ever, do not even think of it at all. They just enjoy the music. The Iz-- REVIEW The Queen of the Night's arias sound more like flute concertos with long fast passages above the staff. nn.- - will ne A. - -- - high priest, though his voice was a bit light er than what one is used to hearing in this role. It was not wrong. just different. Tenor Haqumai Sharpe's impish Mn atos of- ten stole eh° -` ,San t �ctanl �� 4 -class efo �S. �{�''� • y^ a , 1 , the start "T 11 111 l� by its Pe pbon5' ce Of the oP ����O�j T cued \o. ID. SB �� %t °C0Pric P m hon5' v 1 Rims- `horsako's of the Shoswkov[ch'sS " an hour long .f ably A portrait r Spain. The work is about REVIEW cio EsPagllo once abstrµ ide ran rot of sup - - ONCERT spirit and temPernt the�ma -tna and atatic. \t'itl[ a crowd it ma)' ate it less Gramm the went irom •m • only' eztst to work • limits i3Y RKIPH, ANDREWS _ t Bronx cnee:. but that does In or the a >Pression. good. rousing lion ethereal c °f mtance oC ,his `env rs. specla to (he Sun m he -" w'as a g wo:k is also one _anon The P wore was - din- raiser.--` to orches:. comPiez rea with a cot � Iev was the b` L The udtes oC difficult and ual[tc that ❑o htn° as per - The San Bernardino Sy P n) opened its season uTttten so even to q was a and mo.'s perfo;mar.ce th° cert of Russian music Saturd r_ t oas5a c, r aRcrnoon al the California Tt A 7-� - need be saideTfoTmance [05 �[J ■�,L(Lf� (1� �t class P n ❑oac. in ` \J atre of I'ertorming Arts „^ _rdtno 5 P Bernardino, 1/•I] n ^ roc :orotA ct an. tinder the direction of Qusl \7 P� is doctor S[e enrt RohettG °l °n �J A-11 a h%a opened with BY Ie•o-Pltga BaMc concert `, J{r p.crture to' ' Russian and t la. an overture re that goes tID �NAartl �V start to w it St As PonYDina Idea, auictly' ' d too slowly tt playe but taken too CIlerdog rich side )iYe hgb( �ut>d a bit on S the qutcilS' fudge on a is R6Vr9W brvgtgttlade t lose control. The up for Both e San should enough tray. .earfy belong Point of nnotlgh \ reached the ebt it did n Y rein ��a'�end oft a �^ � �P e� a gem \ tog control, carried off Bernardino Phony � ''s+enade Is a IS in �e�e f is (` and 1r4 r pi p California Ybeat �lorrd, �a11 ytbe m aoritt• ��\/ SIY run f � etc one by op �4e lu� estratiYOPWentnumbe clad ng them IN j or oC tei, a�ta\ H�� on fsOftbbe rom IYc�r ROSenBfca�3 and a The re ,bent�eonewea opposite �Yal°nBmanY_pre the to- een w— - n or es om the con YDerforrn to 1Vo 1. 1 SYl O Min coin °(s ver. is tat M corn - . \(a • cc of Ch °Q a t P�aY �je PL CE boots. N ye5ented at °n t� of mince and baRaa atttatshebakan[sttbto he 3m ewasP estra'1120 a wor1110.wh- o \ \ �' " ��,• wed \ass P C °rcb {esu\ . bto v melodic flair. alto 11rstC ore l° si \Y The ss * ous von eve •1' `V�� f+0i10En, slratnt. e lobe °ssi,%s Sevt� bey °ta Soul- he tQetode \rk tYP� a1 B his aPs: Dot rn� noa►- - el�•L \ill Fw5 V rencb classics a� she lorld class Pra- Dal �e,nto too a II` o ' g t�%. c s° �o er h �g WIC c `e Qeer y Mar ffiD� ation is of to s Ile nc r+umeots BY Ry IPN pe Sun it show `o being a w lie oC what 111eht \Cc,,,bsl mu' ubertson rig Pr t cb. , one pc s ll ectocmat to with more Spec,"'lO.rrtumP-Ant pItSe. ~ wa). _sra. \n�P aln5�t< rtbebaebsdjes.r�dedtee cc ,,okanoacwster atot,�t£w'd�mtcf[b ert, ew- avi a vtd i es h dog t Piece 4 the ad ed "as s • ..T�e some t tt Mho . an .olotsts�,[cult- upndt clot tes lit` lid "ILS ,IV , r a of Sp Saturd on1tg° 1 U erb s olois t a %� «e RntP bns iced Staot the tnta� c �r iew- �� V s -•td n tr tr£rllelt the t'a,dlnoS. Tnealre n IIernCalitocn t,M.va.wu oneeru Music Review the Arts. a min8 \( on {Or better tt;mlIck. ~ S7e.an R *ruonn �ndom 7 f � r 9, b Br a The concerto uesday, r .", Ili, IYJ7 1 I.1 f' such �tr�TriumP a e�es,n A 11%crred core ory orotrak tivn Inc sole — Pt���i \TCItPR1SC _ plc opportunuy to dim R0�n7On and the been orch 4-X% n3 �n YrdaY. they Drum clod Sal. Mnllt al IAtcAnlcal masle Ska�v,w Solid suppon. but olio: Inter list ati K \g The featured o mer was ,he haren f Ind Dtntnce for ed dellcate�l � eynavipl. t" SYell" L ?to � tnoren' be ore in, l"ed (� $ ith penlof Y t to s bonus came at Sk% in navC the A toner. Saartavl dellrered nam Yncalpassates and • was harry Agtin, there tram t tar concert P. of 16 enc¢ °� rlo. burn) Inrerna^ro Year s t'an Cll; W nefaeaallffarl bravado and mered WI fontssrrlw SK. horn sMbn. which rf01rbk In look the under odor way. Roben .,o ( °rm o Come petlipn In Fort pt' nano Corn. She Present lions with setWtMtY and r �� qune overDe�r n me r a the "re that l'iai' m`ls See did. tsne w sons. Tern. Int prise �e /!o A he ommand . `Ion. Danlcutarlyoa nM)aEk: that was OflW be lit But Bernardlrp 5 tRt San It 11[c u! ofran but an tAhe carts n shun on slate In A dart mnCh r th Yaui Middle k Rpyt. , trice worn Ay the Out pruu Comptulpn had b�ren selected Pla_l Ind eaplornw uvt auarrnre ar tltstrnm +7teveless town wlrh a eAante ul °tom• eomknl Y Dnnclp0l lotto San Andpl FAday daalln TAeaue-. nh t beaded bodlct. Alter minute, 61. Dace a couple of The stein[ ucnoM per• .'band Io pre • perlomwnre. W�, we Sacro no Cann or the Sarin, aDDarentlpments'of dllbcully The yrotram fuimed Impressively through. fromaxne Sant a l7 yearbld no Con ona No. 2 In o! toe y . -Mnt the htltN Roslnl's overture started *Ir4 0.s ntrylarly e a section U carte, G mrroc lino nure cS`Tpt Bari' dla lotue betrtea elotms, waned on a hr� the tvenuq D Dtbch, she DIM ul Seville.' basses, cellos Imprrsy1, rradm Dole " an launched Into an esquisllery dlQlcultY M tot brm laectloa�n. ek Inc t off he :To- Intnrate solo Dassate to open conk oil qune join, gh a Dm BalCsde yl G minor. Op. 22 second mwemenCvloW b / the concerto. algtw ILOu NUNN ON IN PIP INLAND EMPIRE SYMPHONY ASSOCIATION BACKGROUND INFORMATION The Inland Empire Symphony Association, now anticipating its 69`h season, provides the Inland Empire region with orchestral programs ranging from the highest quality classical music under the leadership of its Music Director and world renowned conductor, Maestro Steward Robertson, to the most entertaining of POP music and Mexican symphonic music. The orchestra was awarded the highest rating by the California Arts Council, mentioning our high artistic standards, our community outreach programs, and our administrative structure. Nearly 30,000 people enjoyed our performances during the past year. This year our program features a cooperative effort with the Riverside Symphony. The San Bernardino and Riverside Symphony's will perform in each others city. This effort is a part of the recognition that the Inland Empire is a region. The orchestra continued to introduce nationally and internationally famous guest artists. Our subscription series has engaged such artists as: Mark O'Connor, Evgueni Bushkov from Russia, Sharon Joy Vogan from New Zealand, Ilya Grubert from Russia, Jose Feghali from Brazil and many other noteworthy others. Our Sinfonia Mexicana concerts have introduced our audiences to the finest of Mexican artists including: Augustine Lara, Juan Manuel Arpero, Raul Hernandez, Alejandro Guerrero, Roman Revueltas, Jose Hernandez, Vikki Carr and many others. Programs of the Inland Empire Symphony Association include: "Music in the Schools" yearly reaching more than 5,000 Inland Empire elementary school children; "Masters Classes" conducted by visiting guest artists; Adult Educational Programs including pre- concert lectures, full -day lectures, concerts focusing on the great composers; Dinner Previews; the Sinfonia Mexicana concerts dedicated to promoting greater understanding of the music and culture of Mexico; the Martin Luther King Day concert, focusing on the rich traditions of African- American music, sponsorship of fully- staged operas; an orchestra for the December ballet performances of Tchaikovky's "The Nutcracker ", and POPS concerts performed throughout the region featuring highly acclaimed conductors and guest artists. The San Bernardino Symphony Orchestra makes its home in the historic and beautiful California Theatre for the Performing Arts at 562 West 4`1 Street in San Bernardino. You are cordially invited to telephone our office at (909) 381 -5388 for brochures and further exciting details regarding the I.E.S.A. 9.TH SEASON • 9TH SEASON • 9T EASON I I� L, N D Nifflpl)ofig I h U I E Is seeking Additional Volunteers h P1 L A N D P I R F P-t )W I L D THEORY OF RELATIVITY It occurred to me by intuition, and music was the driving force behind that intuition. My discovery was the result of musical perception. Albert ,9TH SEASON • 9TH Trained pairs of Volunteers visit fourth grade classrooms throughout the City of San Bernardino. They talk about where we hear music, the fact that instrzments we see in an orchestra are also in rock bands and marching bands too. Volunteers are equipped with a script, audio tape and display boards, as well as some musical instruments for the students to see, and maybe play. If you would like to play a part in this musical opportunity, please call: (909) 426 -3284, just leave a message with your name and number, and your call will be returned. For Our "Music In The School" Programs. SEASON 9TH SEASON 1A .0e Ft 'a I Llr�� W, I PI --~~- ig ilk r r Mariachi History In the Spanish language the work mariachi has many meanings. It refers to a type of music" "You toco mariachi," or "I play mariachi (music)." It refers to a type of ensemble and is used in its proper name: "You toco en un mariachi, que se llama El Mariachi Aguila" or "I play in a mariachi (band) which is called The Mariachi Aguila (eagle)." It refers to members of this group who play this music: "Yo soy un mariachi," or "I am a mariachi (musician)." As well it is used as an adjective to describe someone or something: "Tu eres muy mariachi,:" or "you are very mariachi, and this song is very mariachi." But despite the confusion that one mil ht expect to arise from this lack of specificity, people in the mariachi community and others familiar with it are rarely confused. Mariachi has progressed through several different forms. Before the late 1930's, mariachi was just another of the perhaps hundreds of diverse regional ensembles found all over Mexico, many using different sorts of "home- made" instruments. The Mexican Marimba (with membranes covering the openings of the resonators creating a rvery characteristic buzzing sound) was in use, and numerous guitar -like instruments of various shapes and sizes (with anywhere from 3 to 12 strings) existed in all corners of the country. The Mexican harp (wooden, no pedals, usually 36 strings) was also widely used, along with European and ad hoc violins, various brass, woodwind, and rpercussion instruments. Just about every region and town had a preferred combination -and number of these instruments, and also a preferred type of music which they played — mariachi d"xisted in small villages in and around the state of Jalisco. Prior to the late 1930's mariachi was just this —one of many ensembles and types of music confined by circumstance (and to some extent, choice) to a small regional area. After this time, movie studios and powerful radio stations in nearby Mexico City together were responsible for widely disseminating mariachi to the entire country. From this point on, mariachis and mariachi music have been a fixture in popular Mexican culture, permeating the "golden age" of musicals into the 1940's, and national radio broadcasts, recordings, and festivals to this day. For the first time in history, beginning with the growth of radio and movies in the 1930's, it was actually possible for music to be widely disseminated extremely quickly, and the result was that all over the country people began to play mariachi music. Before this time mariachi was definitely not a national ensemble or music, but it rapidly became precisely this to the extent that it is now difficult to imagine any Mexican fiesta or other gathering which does not include mariachi music. Several mariachis had made their way from rural towns into Mexico City by the 1930's in attempts to make a living playing mariachi. Two of these, whose fates would soon reshape the entire world of mariachi and greatly influence its future, were the Mariachi Tapatio de Josh Marmolejo ( "Tapatio" is an adjective describing anything as being "from Jalisco," and Jose Marmolejo is the name of the group's leader) and Mariachi Vargas de Tecalitlan ( "Vargas" is the name of their founder, Gaspar Vargas and Tecalitlan is the town in Jalisco where they formed). Mariachi Vargas was a string -only ensemble, consisting of one vihuela, a 5 stringed, round - backed, strummed, very small guitar -like instrument (small as compared to the common Spanish guitar); one guitarron, a 6 stringed, round - backed, plucked, cello - sized, bass guitar -like instrument; one guitarra de golpe, a five string, flat back guitar -like instrument; one standard guitar; and three standard violins. Mariachi Vargas was considered by many at this time to be the best mariachi around. Mariachi music has so permeated Mexican musical culture that even Mexico's most famous singers (popular and opera) perform mariachi music. Happily, Mariachi Vargas still performs and is foremost among mariachi ensembles from Mexico. This wonderful Mexican mariachi tradition quickly found its way to the United States and is best exemplified today by the "Nation's Premier Mariachi " — Mariachi Sol de Mexico de Jose Hernandez. SINFONIA ME%ICANA SOCIETY PROPOSED MARIACHI YOUTH EDUCATION PROGRAM Mariachi music is a cultural phenomenon that is universally popular with people of Mexican heritage and many others who are lovers of Latin music. Anyone who has attended Mariachi music concerts, and in particular those concerts presented here in San Bernardino by the Sinfonia Mexicana Society, can attest to that fact. The concerts are always a sell -out and a glance about the audience would confirm that everyone is there -- young, middle -aged, old, well- to -do, professional, working class and students. This Mariachi music holds 'a very real, life -long "grip" on all of these people. In the United States, there are very few phenomenons of this sort that united so many diverse people. The positive implications of this passion fior Mariachi music among the population are obvious and have been capitalized upon by the creation of a Mariachi youth music instruction program by Jose Hernandez of E1 Monte, California. Mr. Hernandez is the music director of this nation's most popular Mariachi ensemble, Sol de Mexico, which has performed for each of the Sinfonia Mexicana's Mariachi concerts. His non - profit Mariachi Heritage Society has provided Mariachi music instruction for the past six years in six schools in the Los Angeles area. This program now has 500 students enrolled. The Sinfonia Mexicana Society would operate this after school program using the donated facilities of the Rialto School District. The program would be open to all school children in the San Bernardino and Riverside areas. The Mariachi Heritage Society would provide three instructors who would teach the students to play the. instruments used in Mariachi music: violin, trumpet, guitar, vihuela (a five - stringed small guitar), and guitarron (a six - stringed bass guitar) . They would also teach the Mariachi musical literature. This instruction would take place in a class setting, one hour per week, for one year. (The program of instruction is a three year program in its entirety.) The instruction program would be offered to elementary, middle school, and high school students. Three instructors would be required and their cost would be $5,000 per year each or $15,000 for the first year of the program. The students would be required to acquire their own instruments, except for the vihuela and the guitarron (which would be provided by the Mariachi Heritage Society). r New Ye" Eve "16 J fot t owed 4y a tO" 40UW gVUV ,.ei 4i4 . A Ike Dezeff4l . 3141 ?:30 PH - 1:00 AM Ew,,Z ,r,,&, .Q,: ve 4,H A y;� ",r,' tw DVM P T44.d,:.i:0" d,40,0" i0ag ea Wat4 --� If e New Y&124! R,ckeis $100 pn pew q, U ,<A I s e JA,; O�t Caa: IESA (901) 391 -S39$ m (101) 932 -0090 i� L u I u u u Li u Li Ll Li :j u L I lu W-4 cs L 'O b L o ° n,' -`o rovyonn o E c a cc ° "n Sc % u c x >.,� 3 ar .n � u ❑ o �[ vl b 'NU' O c o E ro ro c c 3 u o y v ro a c.E y a o s a 3 E va 02. ' 4o ., a, a, 00 y L ^F c5 Czy O L F' uCHor-M 4 30d [o OD rn c CC 0 W 0 N m c m N N UD m m ao c c u U a) Y Ei m O co E U O J E.uuso_aLa x c uN =' '[ v aJ0xroO0� � ?00 EoyrOi, ,C,ON -C'C ti N E ro C 5 ca _ Ec�3 oao ro_m3 3c.xc�E I o co n a�q cv a= 7 a c, a�uEo `� E Ea.�s. roLC0 I L b L 7 ro L Q,^ N O'^ O I E ?�on'u°y a m° n�s^ �' 3cNy t :nX N ^E�, CWL O.O C 3F 0 v•�tNoti *40 U a s uvc°cg�sss:• oo LE", r0. -°.E E._r a oco Ea, ccoc g° cs cr ac °. a,x C`n od' aC:. tVtl, s°iy"u�N•d•- Ems s.cmai�E.�'oro0 ! a u% W vc.. `�`L✓ roo r.,3S t y O u 7C,bC Cxy td E. --.Ny L t o roses o K. t co W E t.� WON' a�n�xs ro sdoo °a= j;L a EaM:cd { o as uU - 3a,° usE W° E `� W - a uoo o °O- C, Eo u 6a L :0 v u V,sA N ro ro .D G, ro y4lNNburo a, a, a, �, y'00 O d�,�j C rox L•0 C O �'� L_ > E '.O _N .� > E o ° =c° cza 4L. oyu.Cl N ^tim- L Eba csvN •3 .c a N � v s 27 0 � � ;� F ,d .°o � c s p � •� j >.Ef -0 v:.: oNw c. °_c°su«Eooro3 >yoEucrI C� 0 a- w.0 vo c gV-- e`a:- x.Euuv�uynoro v Yar vq0 ug- t: roa0:30 3 t _Ex >aocc,c�°�� o vEFdCOVVo siyx�°C o°�uuLSu�v 8tio33 In ouLULVNrov^�neao >cc''o3oE , y� o..LyaE 3o a, os- o �.'�cco3 ~smL CZ 0 DEoc7oox av,tE - E W ■!- COtc33tc��a,a[a Lc sons i O O. cu cs °c`o'on ti0R Aa,ro a« ro0cd i bOLNro ®c7 0NV��c3aN.Sd_ aSC -u E� aui vTOyt° rv.�cu� ce EE E°Ea° °c>ENa c°�c>oaoio u- 3 aura a roo'.^� Z oN�cYx�cvE_ EE I ro •C !n I L Qro,C >' NuL1 QO'�..CS•0 rou aroN0 >cE>,YG-' mb'` oa >-' 'co j,�W.�eaxE'v,Ec�o.3v cE cod a SE .n°oC7vooy $c dx�v w�uEx P-4 Ao y vx o- o'o.c coo "w E ao oco "0 r-' ° c >.vvo�o� r~oNcn°^ai >y E� © 3 ° o� �oca�'v°cova°cbEEo�¢t3 j ar «O a,oa, O EaN^O LO ro 6L. o - y ro a E L Q O ..Q y oq n o s p ao nx� o bO o o m d L �.. ti On U N O 7 •o ,� v y E a 0 o ro n ocu LU ro c 7 c a, E rl E m��sx°i"O cOtu °=oou C7c ro tom, v, o, c E o 'o 14 3 3 J o o c 3�7 o vx o a a Eoro� 0a ro °LaN,[ a, b 15 1 C N Lcq d O C x N ro C��U•p7 EEmuv A yA mF °u�F ai ro u C ro 'v, co N N C O E v o _ o U _ � V Q0.. •o :L �o.�v� .D �°,(5 "T io,r,- ' '�oN ca N c co�a•o con ai m c N vy bo O 0 .0 Fy �C OFF: W . o - u E it > mYb v o9 �C ��_�v outs a y ,nt `o�aLa�u.� root-%'' x�o�7 °oa,t" ° �.vEs �D��a� ° c c u j p- >,ro y• ��d ro•v L E EsU cs o•D.D E yy c 'ss ro v a, c L os.r "�c a�Evonxia ors t-9 c0 'a s E fa C ro'� rou N� C LN yoo LF C y 0 7 '" NO incc C'ro �.O. Nro �'C O C 7 ro C.0 N O) >.ON C C a,� 4r 0) �p�, sE `" N N N'o U N tioa C•c'•N �•yN ay3 __• o � C, G �y •S O� 3co .'rJ O.• Ohn'•- UELyro roCV •p UDY {n L.�+6,0G1 NN •C 'D i"'- c G_Lu 'O a,�O.D.��, ,'O'erp G0 u,ate,7 E�'L7s y,NCC C o L •LyN (+1CLctl p•O 'ti rov,CNO O .D m L GOro7Lro C y''• N E NN° Ti C G L'JL,O Vro, O C G, 7U N y NSpa C ro C,,, L C C up0 •� G >, j.. ro °.Hoy c, ` ~" N.0 3 C c m E 3 m �aLemro C U v °_s �' N E a3c °°°„` o ro v.-0 C_ a,._ 0 c >,o oNEE yx m� co�ccoEo 0 E o o> Ebro y�pyq�3sy ^C o 111 � .� 0 C o w 4'" ro° a, Nero -0- 10 0 � �,, >. c_ro y L `tl- ro'LJ ro L L t Loro _ .41 C U Rt N� y (/] �s.5onr,xn u •_ L a/ y BO O L �•.� wsro4) 6, 3 Q 3 4.5 v, O = L Q°cN ^s wd0N7 C7°b QS� sroN, E >°y =a-u rot°.3 uu Q_ E-a Qsy _soa In of Em c.G.t Qy�y00�G,vs�E y. >ro. > c >to rnoa u Uv.,O�'ayp v x ® �wc3 oxF3c7 u v vro 00 EonoxsE-6 p.w..,�.CCC u- 0'5U._._ I- � UoVOSS -W �y co.>°,Y3°d 22-Jun-95 Page I L The James K. Guthrie Nhisic Library 7/) eT(:? / -5 /vfo I/ e 36211'C51Coj41tS1teet. SanBe,n,,djno CA 92401 Phone: Fax: (909) 381-5380 Popular 7000 A Chorus Line Selection Harnksch1owden Popular 7005 A Domestic Scene .... ....... Palarrge, --- ---- . ...... Popular 7010 A Pretty Girl • ... ........ ... .... . .... .... . Popular 7015 Adeste Fidelis ....... . .................. . ........ Popular AM Air Force Song ...... .. . .. ... ................. ............................................... Popular 7025 America The Beautiful . . . ......... .. .......... ....... I ........................................ ............ Popular 7030 American Jubilee Overture ---- --------- ----------------------- --- * ---------- Popular 7035 Anchors Aweigh ............. .................................... ...... ... ...... Popular 70C Angels We Have*Heard On High ------ ---• -------- ----- ------- -- --------------------- - -------- * ......... Popular 7045 ....... -------- - * ---------- April in Pads' ...... ------------------------- * ------- Popular 7050 . . ...... . ... , Auld Lang Synb - - --------------- ---------------------- ------ - ----- --- Popular 7055 ........... Away In A Manger ... .... .. ........ .... .. ... ........ in a /rider with !(Came Came Upon A Midnight Popular 706c) Battle Hymn of the Republic I .. .... .................... a . rr, . I . Rin . gwaid .......... ..... ............. Popular 7065 Because You're Mine .... ......................... ....... ............ ...... - Popular 7070 ,seer Barrel Polka .. . .... I ....................................... ....... ....... . Popular 7075 Begin the Beguine .... ....... ......... Porter ...... Popular 7080 .. . ...... . ..............• .• .................................... . .... ... .... Believe Me If All These Endearing Young Charms Popular 7085 Billboard Match Popular 7090 Body And Soul ....... * ---------- * ... .......... ---- --- - ---- - --- -- Popular 7095 ............ Bullfighters Song ........ .... . ... Popular 7100 By The Waters of Minnetonka . I ........... ------- I ........... ......... . . . ......... Popular 7105 Cara Mia Popular 7110 . Ceremonies For The Flag ........ . ............. ....... .... ... Popular 7115 Chariots of Fire . . . ............. 'Cher . .... ..... * .. .... Vangehs ... Popular 7120 ....... .. . ...... I ............... ry Ripe ...................... ........ ............ .... Popular 7125 Chicago go ... ... * ....... ................... * ..... ----------- * ..................... Popular 7130 Christmas Rhapsody . I . ................................................. .......... ..... .. Popular 7135 Cole Porter Favorites ... .... Popular 7140 Columbia the Gem of the Ocean ... ............ I .......... . .............. Popular 7145 Crown Imperial ........ . . ...... ... ............................................ Popular 7150 Danny Boy '. ... . .............. * -------- -- *also Londonderry'Air .... ... ...... ... .. ....... - , Popular 7155 Deck the Halls ... . ... also coniai'n's'INa'Msh You A Merry* Christ Popular7160 Deep River .. ......... ...................... ........ ...... ................................. Popular 7165 Dicitencello Vuie- -- ---- -------- --- Palange ------------ ------ ----- -- --- ---- Popular 7170 Drink To Me Only With Thine Eyes ..... ---------------- -------------------- * ------ * -------- --- -- - -- Popular 7175 '' Ebb Tide .. . . . . ....... .......................... --------- * ........ -------------- - ------- Popular 7180 ...papa a . r . ii ......... .................. Espana C ............................. ..... .... Popular 7185 ....... . ......... Eve ry Day W Day is Ladies I With Me ....... .. ............ .................. .... Popular 7190 ....... . Exodus .. ..... . .. .... .. Gold/ I RRB . enneft ... I ................ .... Popular 7195 ... Fandango ................ ........ ......................................... Popular 7200 Fiddler On The Roof Selection' ' , * . .......... ...... BocklRapley' * ....... ... ............... Popular 7205 . .... .. Friml Medley ..... ...... * ......... - Popular 7210 Gary 0 wen ........ ........... .. I ............... in . a . fal . der . with . (h . e . Irish . Washerwoman . . Popular 7215 God Save The Queen ... .......... ............................... I . ......... Popular 7220 Good King Wenceslas . . . i . n a bider . . with . . . The . Firs( . Noel ............. Popular 7225 Goodbye from Benny Goodman ........ ...... ..... I .......................... • Popular 7230 Hail To The Chief ..... . Popular 7235 Happy Days Are Here Again Popular 7240 Hark The Herald Angels Sing Mendelssohn Popular 7245 Havah Nagela 22-Jun-95 Page I L 22- Jun -95 Page 2 "I'he James K. Guthrie Music Libras Popular 7250 Here's One Popular 7255 Holiday For Strings Rosy Popular 726D I Left My Heart In San Francisco Cory/Cross Popular 7265 In My Garden _. _ .._ ... Firestone/Palange __.... .... ...._._.. ..... .. Popular 7270 Irene Selections Popular 7275 Irish Washerwoman also contains Gary Owen Popular 7280 It Carne Upon A Midnight Clear also contains Away In A Manger Popular 7285 Jingle Bells ............................... .... ... .................. ..... Popular 7290 ............................................... Joy To The World . _ ......... ..... _ ......... ...... -. _ .. Handel - - - -- .............. ..... I....... Popular 7295 La Marseillaise Popular 7300 La Virgen de la Marcarena Popular 7305 Lady of Spain Popular 7310 Land of the Free .. _ _ _ ........ Popular 7315 .. ......................... Londonderry Air see Danny Boy Popular 7-320 Love Is Where You F ind It .... Popular 7325 - ....... ...... . Loveliest Night Of the Year Mario Lanza ....... ..... Popular 7330 ........ .. _ .................... ...... ......................... Make A Joyful Noise ......... .. ........................ Don Ellis . . . .. .. ... - - - -- -- -- ------ -- - - - - - Popular 7335 .......... _ ...... -- Hy ....... Marine's Hymn .................. ..... ........................ _ _ ...... •-- .................•... Popular 7340 Mood Indigo _ ............ . - . - -.. �ngton . ........ ._.......... _ ..... - - --- Popular 7345 Most Happy Fella ... .......... . ... _ .... _ . .... - ..... . Popular 7350 , My Heart Belongs To Daddy ........... ............................... Porter .... _. .. ...... Popular 7355 _..........._ New York, New York Popular 73EP Night Flight to Madrid Popular 736 5 O Come All Ye Faithful see Adeste FideGs ........ ............ ................. Popular 7370 ......... ............................... O Little Town of Bethlehem --- -- also contains Silent Night - -- _. ..... .. ....... - -------- . -.- Popular 7375 ................. - -------- O Tannenbaum O Christmas Tree Popular 7380 Oh My Papa Popular 7385 Over The Rainbow Popular 7390 Pop! Goes the Weasel Popular 7395 Romance Mano Lanza Vocal Popular 7400 Rudolph the Red -Nosed Reindeer Popular 7405 Semper Paratus see The Coast Guard Song Popular 7410 Silent Night _ ... ............ ....... in a folder with O Little Town of Bethle ....... ............................... Popular 7415 .. -- Silent Night in Ab (Ab Major) Popular 7420 Silent Night in C (C Major) Popular 7425 Smoke Gets In Your eyes Popular 7430 Song of India Popular 7435 Sophisticated Lady Popular 7440 Sound of Music Fox -Trot Rogers Popular 7445 South Rampart Street Parade Popular 7450 Spirit of Christmas i Popular 7455 Stardust Popular 74130 Take Me Out To The Ball Game Popular 7405 7 he Caissons Go Rolling Along Popular 7470 The Coast Guard Song also Semper Paratus Popular 7475 The Entertainer Joplin/Franckenpohl Popular 7480 The First Noel also contains Good King Wences/as Popular 7485 The Lord's Prayer (Ab) Popular 7490 The Masterpiece (Theme from "Masterpiece Theatre ") Popular 7495 The Music That Washington Knew ...... _ .............................. .......... . ................... ....... ... Popular 7500 The Whistler and His Dog Popular 750`"5 Tickled Pink Popular 7510 Toccata in C Popular 7515 Turkey In The Straw Popular 7520 Twas the Night Before Christmas Popular 7525 Under the Double Eagle March Popular 7530 United in Victory Popular 7535 We Wish You A Merry Christmas ..._._ _.__ in a folder with Deck The Halls ........ ....... ._..... .. .. 22- Jun -95 Page 2 22- Jun -95 Page 2 'I he James K Guthrie Music Libram Popular 7250 Here's One Popular 7255 Holiday For - - - Strings Rte© Popular 7260 1 Left My Heart In San Francisco Cory /Cross Popular 7265 In My Garden FirestoneiPa/ange Popular 7270 Irene Selections Popular 7275 Irish Wash- rv.�oman also contains Gary Owen Popular 7280 It Caine Upon A Midnight Clear also contains Away In A Manger Popular 7285 Jingle Bells Popular 7290 Joy To The World Handel Popular 7295 La Marseillaise ........... Po uiar P 7300 La Virgen de la Marcarena Popular 7305 Lady of Spain Popular 7310 Land of the Free . ..... Popular 7315 Londonderry Air see Danny Boy Popular 73:1.0 Love Is Where You Find It Popular 7325 Loveliest Night Of the Year Mario Lanza Popular P 7330 ...... ...... -- - . ............ ._.... Make A Joyful Noise _.- ..- -- ..- ._ -..... .......... Don Fps Popular 7335 Marine's Hymn ... .. ............................... Popular 7140 Mood Indigo _ .. ..- ..... .. Effin g- t n Popular P 7345 Most Happy Fella Popular 7350 My Heart Belongs To C addy Porter Popular P 7365 New York, New York _ _....... .. .- Popular Night Flight to Madrid _.. _. Popular 73(� O Come All Ye Faithful - - - - - see Adeste Fidelis Popular 7370 O Little Town of Bethlehem also contains_ Silent Night Popular 7375 O Tannenbaum O Chri stmas Tree Popular 7380 Oh My Papa Popular 7385 Over The Rainbow Popular 1390 Pop! goes the Weasel Popular 7345 Romance blano Lanza Vocal Popular 7400 Rudolph the Red -Nosed Reindeer Popular 7405 Sem per Paratus see The Coast Guard Song Popular 7410 Silent Night in a folder with O Little Town of Befhle Popular 7415 Silent Night in Ab (Ab Major) __...... ..._. . -.. ..... _ ..._ Popular 7420 - ....... Silent Night in C (C Major) ........ ............ .. Popular 7425 Smoke Gets In Your eyes Popular 7.00 Song of India Popular 7.05 Sophisticated Lady Popular 7.110 Sound of Music Fox -Trot Rogers Popular 7415 South Rampart Street Parade Popular 7450 Spirit of Christmas Popular 7455 Stardust Popular 7470 Take Me Out To The Ball Game Popular 7405 T tie Caissons Go Rolling Along Popular 74 TO The Coast Guard Song also Semper Paratus Popular 7475 The Entertainer JopluvFranckenpohl Popular 7480 The First Noel also contains Good King Wenceslas Popular 7485 The Lord's Prayer (Ab) Popular 7490 The Masterpiece (Theme from -Masterpiece Theatre -) Popular 7496 ... ... - ...... The Music That Washington Knew _ ........ .... .................. Popular 7500 The Whistler and Nis Dog Popular 750`"5 Tickled Pink Popular 7510 Toccata in C Popular 7515 Turkey In The Straw Popular 7520 Twas the Night Before Christmas Popular 7525 Under the Oouble Eagle March Popular 7530 United in Victory Popular 75.E We Wish You A Merry Christmas in a colder with Deck The Halls 22- Jun -95 Page 2 ri The James K Guthrie Music Libran Popular 7540 When Irish Eyes Are Smiling Po P ufar 7545 ...... ... Wh ite Christmas' Berhn Popular 7550 .............. ....... You're The Top Porter Popular 7565 _ ........ ................. ...... .....: Yuletide Echoes ...... ........... .. Achron Orchestra 5 Hebrew Melody Arr. Len 9Y .e ... .... ..... . .. Adams, S Orchestra 10 The Holy City ........ ............................... .. .. ..... ...................... _ ............. -.. . Alfven, H Orchestra 25 Swedish Rhapsody No. 1 --- --- - --- ............ ................... . .. ......... .. .... - - - Alter Orchestra 30 Manhattan Serenade _....._ ....... ....... ......_.... an. Herfurth or Sheldon ? - ................ . - Arditi, L Orchestra 135 II Bacio (Waltz) (The Kiss) Arnaud Orchestra 140 Bugler's Dream from Charge Suite - ...... - ... - Auber, D Orchestra 145 Crown Diamonds arr. lemoire Orchestra 150 ... Fra Diavolo ..... ...... .. . . . . . . ......... - ' Bach, CPE Orchestra 155 Concerto for Cello and string orchestra (B flat Major) .. ....... ......... ... ... _.... ... __.._ .. . Bach, JC Orchestra 160 Sinfonia for Double Orchestra Op 18, No. t Orchestra 165 Symphony Op.3. No.4 f.. Bach, JS Orchestra 170 A Mighty Fortress is Our God arr Walter Damrosch Orchestra 175 Brandenburg Concerto No. t Orchestra 180 Brandenburg Concerto No. 2 Orchestra 185 Brandenburg Concerto No.'3 Orchestra 190 ._. ....- ..... .... ............... Brandenburg Concerto No. ..4 _ ....._ _ Orchestra 195 Brandenburg Concerto No 5 ------- _.. - --- - -- Orchestra S 200 Brandenburg Concerto No. 6 Orchestra 205 ........... .. Cantata No.11 . .. ........... . Orchestra 225 Cantata No.21 - Orchestra 230 ............. Cantata No.53 ..... .......................... -'_ "" Orchestra 235 ..................... Cantata No.80 ...... . . 'Ein Fest Burg Ist Unser Gott' Orchestra 210 . ..... ........ ............ Cantata No. 133 ..... ....... .. .. ...... . Orchestra 215 Cantata No. 140 'Wachtel Aur Orchestra 220 Cantata No.202 'Weichet nur, betrbte schatten' Orchestra 240 Chorale Prelude (Giant Fugue) Stokowsld Vocal Christmas Oratorio BWV248 ._ . i . .. .. ......... . Orchestra 245 - Concerto for Four Pianos (a minor) BWV28 ... ___ Orchestra 250 ...... Concerto for Oboe and Violin (c minor) BWV1D60 _.._ ............... _.. Orchestra 255 Concerto for Oboe and Violin (d minor) BWV1060 Orchestra 265 Concerto for Piano (g minor) Orchestra 260 Concerto for Piano (d minor) ' •" _ Orchestra 270 Concerto for Piano, Flute, and Violin (A minor) BWV 1044 Orchestra 275 Concerto for Piano. Harpsichord and Strings (f minor) ' BWV1056 22- Jun -95 Page 3 • t The James K Guthrie Music Libran Orchestra 280 Concerto for Three Pianos (d minor) Orchestra Orchestra 285 Concerto for Two Pianos (C major) BWV20 ........... ..... . ....... .......... Orchestra 290 .. Concerto for Two Violins (d minor) ........ _....... . . ...... .............. ... . ... . .. Orchestra 295 - Concerto for Violin, No. 1 (a minor) . ...... ... .. . ... _ -... _ _.. ...._.- .... -... .......... Orchestra 300 Concerto for Violin. No. 2 (E major) Dover Beach Orchestra 305 Concerto No. 5 for Piano and Strings (A major) Orchestra Vocal Overture to "The School for Scandal" Dona Nobis from the High Mass in B Minor _ ........... - - ......... ....... ......... .......- ....-- Orchestra 310 _. .................- Fugue in G Minor "Little" - - - - - - - ----------- --- --- --- --- --- - --- --------- arr. Lucien Caiitiet -------------- -----• Vocal High Mass in 9 Minor ...... -.. .... ........ ....... ...................- -. ... ............ . -.... Vocal _ ........... Jesu Joy of Man's Desiring . .......... ......... ...................... .... from Cantata No. 147 . .... .. . ..... ....................... Orchestra 315 Kom Susser Tod ... an Stokowski .- ........ ... .............. Vocal ... . . ... _ ....... ............................... Magnificat .... -. - -. .. ......_ ....-. ------- .------ Orchestra 320 My Heart Ever Faithful arr. Hrlding Anderson Orchestra 325 Prelude and Fugue in G Minor arr. Lucien Cadhet Orchestra 330 Prelude, Chorale, and Fugue arr. J.J- Aberd I.............. ...... .......... •-- ....... Vocal .. .. . .. ..... ........... .. .........I.. ..... ...... ........ Sheep May Safely Graze _ ..................... ........ . _......................- ...... from Cantata No. 208 ....... ---- . .........-- --- ..- ....- ....... Vocal Shepherd's Sinfonia from Christmas Oratorio - -- - --- - - -- -- ----.. .......... . - - ............ ............ Orchestra 335 ........... .. ..... - •--- -- --- - -- Sinfonia (D major) ._ ........ _..... _._ .. _._ . from Cantata 169 .. _....., - .. . . .............. -...-- Orchestra 340 ............_._ Suite from Orchestra Works (b minor) arr. Gustav Mahler (Suite No. 2) Orchestra 345 Suite No. 1 (C major) Orchestra 350 Suite No. 2 (b minor) Orchestra 355 Suite No 3 Orchestra 36CIr Suite No. 4 (D major) Orchestra 365 The Passion According to St Matthew. ... ........... ...... ........ ........... ....... .. ... ... ...... .... ... ... Orchestra 370 _.. Three Choral Preludes _ ..... _ ..... - - - --- - --- ........ ....... . Vocal _ ... ... .. .......... ......... .... ............... Three Choral Preludes: Jesu Joy, Grievous Sins, In arr Ormandy Thee Is J Orchestra 375 Toccata and Fugue (C Major) arr. Leo Weiner Orchestra 380. Toccata and Fugue in D Minor - - - ................ ...... . ..... .. .... - arr. Stokowski ....... - _ . ... - .... ......_ ... Bagley, EE Orchestra 385 National Emblem March Bantock, G Orchestra 390 Two Orchestral Scenes Barber, S Orchestra 400 Adagio For Strings Op 11 Vocal Dover Beach Orchestra .K,Y, Intermezzo from "Vanessa" Orchestra 410 Overture to "The School for Scandal" Orchestra 415 Second Essay for Orchestra Op.17 Barlow, W Orchestra 420 The Winters Passed .... ...................... ... ............ ... ............... Bart Orchestra 425 Selections fr "Oliver"' arr. Alfred Reed .. .......... .... om ............ ... ............ _.... Bartok, B Orchestra 430 Roumanian Folk Dances for small orchestra (1922) .. ........ ... .. ..... Orchestra 435 Three Rumanian Folk Dances (1929) arr. Wener ............. ........... ....... .. Orchestra 440 Viragzas ............................. _..... . Bazzini, A Orchestra 445 Overture to "Saul" Beethoven, LV Vocal Abscheulicher from Fidelio 22- Jun -95 Page 4 Ll hhe James IC Guthrie Alusic Libran Orchestra 280 Concerto for Three Pianos (d minor) 420 Orchestra 285 Concerto for Two Pianos (C major) BW V20 . . . .. Orchestra 290 0 Concerto for Two Violins (d minor) .... .......................... .... . . . - Orchestra 295 - Concerto for Violin, No. 1 (a minor) ... ............ - - -- Orchestra 3DO Concerto for Violin, No. 2 (E major) -- Orchestra 305 Concerto No. 5 for Piano and Strings (A major) ......... Vocal Dona Nobis from the High Mass in B Minor Orchestra 310 Fu ue in G Minor "Little" an-. Lucien Cairlia Vocal - ... High Mass in 9 Minor _. ..........- _ .............. ...•. Vocal - - -s.. .___... . .. -_ ....... - ...__.._ Jesu Joy of s Desiring Mat-, . - ------------ from Cantata No. 147 Orchestra 315 Kom Susser Tod -- ---- arc Stokowski Vocal agnificat Orchestra 320 My Heart Ever Faithful .. . rlofn . .-9 an-. HAnders on Orchestra 325 Prelude and Fugue in G Minor 9 . arr. Lucien CadAef Orchestra 330 Prelude, Chorale, and Fugue 9 arc. J J: Aberd Vocal _ ... _ .. Sheep May Safel Graze P Y Y . .. .. .. . from Cant No. 208 Vocal_ Shepherd's Sinfonia from Christmas Oratorio .......... _ ........ _ ....... . ...... Orchestra 335 Sinfonia (D major) from Cantata 169 ...... .. . . - - Orchestra 340 Suite from Orchestra Works (b minor) arr. Gustav Mahler (Suite No. 2) Orchestra 345 Suite No. 1 (C major) . Orchestra 350 Suite No. 2 (b minor) . . . . . . . . Orchestra 355 ................ ....... Suite No 3 .. ...... .... . . .. .. .. ...... --- --- ---- - - -.... - - - - - Orchestra 3E30r Suite No. 4 (O major) - Orchestra 365 The Passion According to Si Matthew Orchestra 370 Three Choral Preludes - - - Vocal _ . Three Choral Preludes: Jesu Joy, Grievous Sins, In - ....... an Ormandy Thee Is J Orchestra 375 Toccata and Fugue C Major) 9 ( 1 ) arc. Leo Weiner Orchestra 380 Toccata and Fugue in D Minor arc. Stokowski Bagley, EE Orchestra 385 National Emblem March Bantock, G Orchestra 390 Two Orchestral Scenes Barber, S Orchestra 400 Vocal Orchestra 47.", Orchestra 410 Orchestra 415 Barlow, W Orchestra 420 Bart Orchestra -125 Bartok, B Orchestra 430 Orchestra 435 Orchestra 440 Bazzini, A Orchestra 445 Beethoven, LV Vocal Adagio For Strings Op 11 Dover Beach Intermezzo from "Vanessa" Overture to "The School for Scandal" Second Essay for Orchestra Op 17 The Winter's Passed ......... .. ......... . Selections from "Oliver- an'. Alfred Reed Roumanian Folk Dances for small ochestra (1922) Three Rumanian Folk Dances (1929) an. KYner Viragzas . ..................... .... I...... .. . Overture to "Saul" Abscheulicher from Fidelio 22- Jun -95 Page 4 . The James K Guthrie Music Libras Vocal Ah! Perfido scene and aria Orchestra 450 Allegretto in Eb (1823) ?9 _ _ . _ . .. . - - - 'Gratutations- Menuet" Orchestra 495 - ..... - - • . • Cantata Auf den Tod Kaiser Joseph Op.264 1. .. - • - ............................... . Orchestra 460 ....... ..... _ . ....... Choral Fantasy Op ............ •--- - -- -•- ..................... Orchestra 465 Consecration of the House Overture Op.124 . . . . . . Orchestra 470 Coriolanus Overture Op.62 . . . . . • . Vocal . ......... Die Ehre Gottes Aus Der Natur ............................... ..... Orchestra 475 ._ _ t .... ....... .................... ........... Egmont Op.84 .... .................... .............. .......... . .•• - -- Complete music to the play Orchestra 480 Egmont Overture Op.84 •. •---- . ....................._.... - -... Opera Fldelio Op.72 Complete music to the opera Orchestra 485 Fidelio Overture Op. 72 ............ . Orchestra 490 Gross. e Fugue 6p.133 - ......... .............. .. ...... . ........................ Vocal _ ..................................... ............ Hallelujah Chorus from "Christ on the Mount of Olives" •-•--- ............ -- .. -- -- -- --.... Op.85 Vocal ......................... ........................ rrtroduction and Aria Jena . ... ... ... ........ - - -- No. 11 from 'Fideho' Orchestra 495 _ _--------- --- ------- Jenaer Symphony (C major) ---... --- •�- �......... -- .- - ............ Orchestra5pp . ._........_ .__ .... .. .............................. King Stefan Overture Op. t 17 - -- - - ---- Orchestra 505 Leonore Overture No. t Op.138 ........... ...... . Orchestra 510 Leonore Overture No. 2 Op.72 . Orchestra 515 Leonore Overture No_. 3 Op 72 Orchestra 520 Mass inC 0- p.86 . - - -- -- - -- - - - - -- rchestra 525 Menuet No. 2 in G - * .. . an-. Woodhouse Vocal - _ _ ...... . Mir So Wunderbar _ . .. . ..................... . No. 3frotn "Frdel�o" Orchestra 530 Na NamedayOverture Op.t15 -- •�- ....... "- --- � - -'- Orchestra535 ... .... .. ............................ Piano Concerto No. 1 (C major) Op.15 - ------.............. --- Orchestra 540 Piano Concerto No.2 (Bbmajor) Op.19 ... ............. . . . . .. ........... Orchestra 545 ............... Piano Concerto No. 3 (c minor) Op.37 I............. Orchestra 550 Piano Concerto No. 4 (G major) Op.58 Orchestra 556 Piano Concerto No..................... .................... . 5 (Eb major) Op.73 ....... ...... -Emperor- Orchestra 560 ........._8 ............_ ............. Polonaise for Military Music (1810) _ ........ ....._...._............. (winds only) Vocal Prisoner's Chorus from "Fidelio" Ballet Prometheus . .... .. ....... Orchestra 565 Prometheus'Overture Op.43 . . ....... Orchestra 570 Ritterballet 1790 . ( ) complete music to the ballet Orchestra 580 Romance for Violin and Orchestra (F major) Op.50 ...... _. ........... Orchestra 575 Romance for Violin and Orchestra (G major) Op.40 Orchestra 585 Rondo for Pianoforte . . ..... . . . Orchestra 590 . ... ..... ..... _. ...... .-................ Septett ..Op.20 ...-... ...................... ..... .. ._ ... Orchestra 595 . ............ _ ......... Symphony No. 1 (C major) Op 21 ............................... .... ....... _ Orchestra 600 _ major ........ ............ Symphony No. 2 (D major) ) Op.36 ............ ... .... ... .. ... Orchestra 6C�5 Symphony No. 3 (Eb major) Op Eli 'Eroica' Orchosha 610 Symphony No, 4 (Bb major) Op.00 Orchestra 615 Symphony No. 5 (c minor) Op.61 Orchestra 620 Symphony No. 6 (F major) Op.68 'Pastoral' Orchestra 625 Symphony No. 7 (A major) Op.92 Orchestra 630 _ or) Op.93 ...._ ... ..... _ ......... ............................... . . .. . _ (F _ m aj Symphony No. Orchestra 636 _ .................. ............................. Symphony No. 9 d minor O 125 .. .. ( ) P -. . - - ' "Choral' Vocal .. ................ ........ ......................... The Heavens Are Declaring . . . . .. ... . . . . . .. .. . . . . .. Orchestra 640 Triple Concerto for Piano, Violin, Cello and orchestra Op.56 Orchestra 645 Turkish March from "The Ruins of Athens" Op. 113' Orchestra 650 . . _ ........ ............................... T elve Contra Dances Op. 141 • - . • . • . - • . . • . • . . . • Orchestra 655 Twelve German Dances _ . ... ..... .....I ......................... ...... .. Orchestra 660 ........... .. .. . - - . .. ... .... Twelve Minuets .......... ............................... Orchestra 6m Two Marches for Military Music (F major) (1809) ......................... ....... . Orchestra 670 Violin Concerto (D major) Op.61 . . . . . Orchestra 675 Wellington's Victory Op.91 22- Jun -95 Page 5 The James K Guthrie Music Libran Bellini, V Op.24 � ... Vocal 700 Casta Diva aria from "Norma" Orchestra 680 ..................................... ................ ............ La Sonnambula Overture Vocal 710 Mecco All After from "Norma"' ............ ........ -- ------ Orchestra 685 ...... ............... ...... ................. .............. .. ..... Norma Overture Vocal 720 0 Qua nte V ofte from "Norma" ...... ...... ... ........... I ...... ..... ........ Orchestra 690 Romeo and Juliet Overture Orchestra 695 Viene Mor m a from "Norma" . ........ . ..... .... .... I .............. I I—— .... .............. .. . . . I ............ ... I ........ Berlin, I Op.24 � ... Orchestra 700 God Bless America Orchestra 705 He's A Devil in His Own Home Town ........... ...... ........................... ........ Orchestra 710 - -- - ------------- * ----------- --- -------- -- --------- * -------- -- - ----- The Passion Fower Orchestra 715 There's No Business Like Shaw Business from 'Annie Got Your Gun* Orchestra 720 When It's Nighttime in Dixieland . . ............ . ...... .............. ........... . Orchestra 725 . ............................................ I ............. ..... ....... . ...... White Christmas aff. Robert Russeff Bennett ........................................ ........ .... I ................. ............ Berlioz, H Orchestra 730 Au Cemetiere (Bb major) Orchestra 735 Ballet des Sylphes from "Le Damnation de Faust" 22-Jun-95 I I ) I Page 6 Op.24 � ... Orchestra 740 ..... I ............... .. .................... --------- Beatrice and Benedict Overture ............................ ... Orchestra 745 11 . � - .. . . 1. . Benvenuto Cellini Overture Op.23 ............................ ....... Orchestra 750 Dance of the S_ prites from "Damnation of Faust" Op.24 .... ........ Orchestra 755 .......... ... .......................................... Harold in Italy Op.16 ...... - - ---- .- - -- Orchestra 760 ......... ........ . Judges of the Secret Court Overture Op.3 --------- ....... . Opera La Damnation De Faust Vocal Marguerites Romance from "Damnation of Faust" .................. ...... Orchestra 765 Menuet des Follets. from "Damna'tion of Faust" Op-24 .. ........ .... ... Orchestra 770 Nuits crEte Op.7 .. ......... Orchestra 775 Nuits d'Ete, No. 5 Op.7 transposed to Bb Major Orchestra 780 QueerlMab Scherzo from "Romeo and Juliet" Op.17 Orchestra 785 ... ............................................ Rakocsy March from "Damnation of Faust" Op.24 Vocal - -- Requiem Mass Op.5 ------ ----------- ---- - * ............. Orchestra 790 ' * .. . . ... .................... ....................................... Roman Camival Overture Op.9 .......... Orchestra 795 Romeo and Juliet Op.17 dramatic symphony Orchestra 800 Royal Hunt and Tempest from "L es Troyens Orchestra 805 Symphony Fantashque Op 14 .. ........ ...... Orchestra 810 The Corsair Overture Op.21 Orchestra 815 7 riurnphale et Funebre Orchestra 820 1 rojan March Orchestra 825 Zaide Op.19 . .... .. (Bolero) ........ ...... .... .. Bernstein, L Orchestra 830 Candide Overture Orchestra 835 ............. Scenes from "West Side Story' arr. Jack Mason Orchestra M ....... West Side Story Overture ..................... ..... I ......... .... . ...... .......... Bizet, G Orchestra 845 Au Fond du Temple Saint from "The Pearl Fishers" Vocal Au Fond du Temple-Saint from "The Pearl Fishers" ... ...... ....... ... Orchestra 846 . ............. Camen Suite No. 1 ........ . Orchestra 847 Camen Suite No. 2 Vocal Card scene from "Carmen" Opera .......... Carmen Orchostra 850 Carmen Overture extraction from the opora Vocal Carmen Overture Vocal Chanson Boheme from 'Carmen" Act// No. 12 22-Jun-95 I I ) I Page 6 The James K Guthrie Nlusic Libran Belfirii, V Op.24 Vocal 700 Casta Diva aria from 'Norma" Orchestra 680 La Sonnambula Overture Vocal 710 Mecco All After from "Norma" Orchestra 6B5 Norma Overture ....... Vocal 720 0 Quante Volte from "Norma' Orchestra 690 Romeo and Juliet Overture Orchestra 695 Viene Morma from "Norma" . . ........ ... Berlin, I Op.24 Orchestra 700 God Bless America Orchestra 705 ... . ........ ......... He's A Devil in His Own Home To-An Orchestra 710 The Passion Fower ........... .. . Orchestra 715 There's No Business Like Show Business from 'Annie Get Your Gun' Orchestra 720 When It's Nighttime in Dweland Orchestra 725 ................. ...... ..... ........... ......... .. . ...... White Christmas an-. Robert Russeff Sennett ......................... ...................... I .. ......... .. .... .... I ........... ............. Berlioz, H Orchestra 730 Au Cemetiere (Bb major) Orchestra 735 Ballet des Sylphes from "Le Damnation de Faust" 22-Jun-95 Page 6 Op.24 Orchestra 740 . .................. . ........... Beatrice and Benedict Overture .. ... .................. Orchestra 745 91 Benvenuto Cellini Overture Op.23 Orchestra 750 Dance of the S_ prites from "Damnation of Faust" Op.24 Orchestra 755 - --------- -- ---- Harold in Italy Op 16 Orchestra 760 .... ........ . Judges of the Secret Court Overture 0p.3 ........... ........ Opera La Damnation Oe Faust Vocal Marguerites Romance from "Damnation of Faust" Orchestra 765 Menuet des Follets, from "Damnation of Faust" Op.24 Orchestra 770 Nuits crEte Op.7 Orchestra 775 Nurts d'Ete. No. 5 Op.7 transposed to Bb Major Orchestra 780 QueerlMab Scherzo from 'Romeo and Juliet" Op. 17 Orchestra 785 Rakocsy March from "Damnation of Fausr* Op.24 ...... ............ I ...... ------ Vocal ..... .. ...... Requiem Mass Op ,5 .............................. Orchestra 790 Roman Camival Overture 0 p.9 Orchestra 795 Romeo and Juliet Op. 17 dramatic symphony Orchestra 800 Royal Hunt and Tempest from -Les Troyens" Orchestra B05 Symphony Fantastique Op 14 Orchestra 810 The Corsair Overture Op 21 Orchestra 1315 Triumphale et Funebre Orchestra 820 1 rojan March Orchestra 825 Zaide Op.19 (Bolero) Bernstein, L Orchestra 830 Candide Overture Orchestra 835 Scenes from **West Side Story' arr. Jack Mason Orchestra 840 West Side Story Overture ...... ......... Bizet, G Orchestra 845 Au Fond du Temple Saint from "The Pearl Fishers" Vocal . .. . - I ........... Au Fond du Temple-Saint from 'The Pearl Fishers" Orchestra 846 Camen Suite No I Orchestra 847 Camen Suite No 2 Vocal Card scene from "Carmen" Opera Carmen Orchestra BW Carmen Overture extraction from the opora Vocal Carmen Overture Vocal Chanson Boheme from "Carmen" Act// No 12 22-Jun-95 Page 6 INLAND EMPIRE SYMPHONY ASSOCIATION BOARD ROSTER Alonzo, Marie 200 S. Lena St Phone: Spouse: Alex San Bernardino CA 92415 OfficePhone: 387 -2230 Committee: Term Expires: 1999 Fax#: 387 -2241 Anthony, William 8560 Vineyard Ave, Ste 306 Phone: 882 -0749 Spouse: Ingrid Rancho Cucamonga CA 91730 OfficePhone: 484 -9765 x29 Committee: Term Expires: 2000 Fax#: 391 -3160 Ariss, David 3200 E. Inland Empire Blvd, #235 Phone: 393 -2396 Spouse: Debbie Ontario CA 91764 OfficePhone: 591 -0668 Committee: Term Expires: 1998 Fax#: 466 -9366 Ballard, Dorris 677 E. Avery St Phone: 882 -0749 Spouse: San Bernardino CA 92404 OfficePhone: 880 -5327 Committee: Ex Bd Term Expires: 1998 Fax#: 880 -7004 Battey, Judith 3634 Canyon Terrace Dr. Phone: Spouse: George San Bernardino CA 92407 OfficePhone: 387 -4040 Committee: Ex Bd Term Expires: 2000 Fax#: 886 -0229 Bean, Brenda 1320 Drake Ridge Crest Phone: 793 -4454 Spouse: Redlands CA 92373 OfficePhone: 822 -2331 Committee: Term Expires: 2000 Fax#: 355 -9358 Bean, Gerald 1320 Drake Ridge Crest Phone: 793 -4454 Spouse: Brenda Redlands CA 92373 OfficePhone: 822 -2331 Committee: Term Expires: 2000 Fax#: 355 -9358 Bidney, Marilyn 27 Sherril Ln Phone: 793 -1994 Spouse: Redlands CA 92373 OfficePhone: Committee: Term Expires: 1998 Fax#: 793 -0509 Botting, Richard 716 E. Sonora St Phone: 883 -9356 Spouse: Patricia San Bernardino CA 92404 OfficePhone: 880 -5327 Committee: Term Expires: 2001 Fax#: 880 -7004 Page 1 Calderon, Maurice 1501 Ridge St Phone: 793 -7256 Spouse: Redlands CA 92373 OfficePhone: 890 -0211 x532 Committee: Term Expires: 1999 Fax#: 890 -0429 Choisnet, Jeanne 3124 Arrowhead Ave Phone: 338 - 4200/882 -7797 Spouse: San Bernardino CA 92405 OfficePhone: 381 -1175 Committee: Term Expires: Fax#: 889 -7576 Cochran, Robin 30413 E. Sunset Phone: 335 -9314 Spouse: Lee Redlands CA 92373 OfficePhone: 884 -2171 Committee: Term Expires: 1999 Fax#: 888 -2120 Cosgrove, Rodger 712 N. La Cadena Phone: 307 -2780 Spouse: Janet Colton CA 92324 OfficePhone: 307 -2688 x222 Committee: Term Expires: 2000 Fax#: Cutler, Gloria 2040 Steel Rd Phone: 825 -5612 Spouse: Leo Colton CA 92324 OfficePhone: 883 -4944 Committee: Term Expires: 1999 Fax#: 948 -0609 Dameron, Carl 255 N. D St, Ste 209 Phone: 889 -6587 Spouse: San Bernardino CA 92401 OfficePhone: 888 -4571 Committee: Term Expires: 2000 Fax#: 386 -7154 De La O, Armalyn 777 N. F St Phone: 887 -0622 Spouse: San Bernardino CA 92401 OfficePhone: 381 -1175 Committee: Term Expires: 2001 Fax#: 889 -7576 Edwards, Mark 599 N. E St, Ste 205 Phone: 862 -4660 Spouse: Margie San Bernardino CA 92401 OfficePhone: 888 -0200 Committee: Ex Bd Second VP Term Expires: 2000 Fax#: 384 -0203 Eisenhard, Charles PO Box 368 Phone: Spouse: Highland CA 92346 OfficePhone: Committee: Term Expires: 1998 Fax#: Evans, Rosemarie 6360 Cymbidium Ct Phone: 862 -0506 Spouse: Ronald Highland CA 92346 OfficePhone: Committee: Term Expires: 1998 Fax#: Fischer, Herbert Spouse: Cheryl Committee: 635 North Rd Phone: 886 -1209 San Bernardino CA 92404 OfficePhone: 876 -4216 Term Expires: 1998 Fax#: 876 -6395 Page 2 Hill, Evelyn 1752 Lomas Privadas Phone: 882 -0080 Spouse: Edward G. San Bernardino CA 92404 OfficePhone: Committee: Ex Bd Term Expires: 2000 Fax#: Hubert, Judy 876 El Camino Road West Phone: 883 -0100 Spouse: Sam San Bernardino CA 92405 OfficePhone: 884 -1000 Committee: Term Expires: 1999 Fax#: Ivey, Ann 6110 Geremander Ave Phone: 875 -7377 Spouse: Marcum Rialto CA 92377 OfficePhone: Committee: Ex Bd /Ed Comm Chm Term Expires: 2000 Fax#: Karnig, Marilyn 3284 Parkside Dr Phone: 886 -7284 Spouse: Arthur San Bernardino CA 92404 OfficePhone: Committee: Term Expires: 2000 Fax#: Kennedy, David 1700 N. E St #201 Phone: Spouse: Susan San Bernardino CA 92405 OfficePhone: 886 -5048 Committee: Term Expires: 1998 Fax#: Lemann, Bill 215 N. D St Phone: 883 -4346 Spouse: San Bernardino CA 92404 OfficePhone: 889 -3691 Committee: Term Expires: 1998 Fax#: 888 -5119 Marcus, John R. PO Box 5747 Phone: 884 -6477 Spouse: San Bernardino CA 92412 OfficePhone: Committee: Term Expires: Fax#: Martin, Lori 159 Pinehurst Ct Phone: 883 -1276 Spouse: Tim San Bernardino CA 92407 OfficePhone: Committee: Term Expires: Fax#: Martin, Tim 159 Pinehurst Ct Phone: 883 -1276 Spouse: Loretta San Bernardino CA 92404 OfficePhone: 880 -6666 Committee: Term Expires: 1998 Fax#: 880 -6672 Martinez, Veronica 222 W. Hospitality Ln, 3rd Flr Phone: 882 -7313 Spouse: San Bernardino CA 92415 OfficePhone: 386 -8639 Committee: Term Expires: 2000 Fax#: 386 -8668 Mata, Esther 930 W. Edgehill Rd Phone: 886 -7423 Spouse: San Bernardino CA 92405 OfficePhone: 880 -6649 Committee: Ex Bd Term Expires: Fax#: 880 -6654 Page 4 Matich, Margaret Spouse: Committee: Maudsley, Mike Spouse: Judy Committee: Ex Bd McKim, Mildred Spouse: Committee: Messenger, Ruth Spouse: Mel Committee: Miller, Gary Spouse: Committee: Morris, Patrick Spouse: Salley Committee: Pelini, Louis Spouse: Gay Committee: Peterson, Jerry Spouse: Committee: Pimentel, Laura Spouse: Committee: Plash, Frank Spouse: Committee: Ex Bd Powell, Lucia Spouse: Committee: Ex Bd 1245 Norman Rd Colton CA 92324 Term Expires: 2000 Term Expires: 825 -1780 33 San Juan Dr Rancho Mirage CA 92270 Term Expires: 2000 450 W. 25th St 2000 San Bernardino CA 92405 Term Expires: 2000 1661 Country Club Dr Redlands CA 92373 Term Expires: 2000 350 W. 5th St, Ste 201 San Bernardino CA 92401 Term Expires: 1998 685 Maywood 825 -3760 San Bernardino CA 92404 Term Expires: 825 -1780 659 E. Avery 760 - 324 -7288 San Bernardino CA 92404 Term Expires: 2000 1422 Henrietta Redlands CA 92373 Term Expires: 2000 2989 Ladera Rd San Bernardino CA 92405 Term Expires: PO Box 2909 San Bernardino CA 92406 Term Expires: 1998 PO Box 8010 Redlands CA 92375 Term Expires: 2000 Phone: 825 -3760 OfficePhone: 825 -9100 Fax#: 825 -1780 Phone: 760 - 324 -7288 OfficePhone: 884 -6076 Fax#: 885 -6585 Phone: 882 -4324 OfficePhone: Fax#: Phone: 798 -5990 OfficePhone: 798 -5990 Fax#: Phone: 889 -4480 OfficePhone: 889 -4480 Fax#: 384 -9034 Phone: 883 -4177 OfficePhone: Fax#: Phone: 883 -3367 OfficePhone: 387 -4156 Fax#: Phone: 793 -8636 OfficePhone: Fax#: Phone: 883 -6883 OfficePhone: Fax#: Phone: 883 -9848 OfficePhone: Fax#: Phone: 683 -0672 OfficePhone: 683 -0672 Fax#: 686 -7780 Page 5 Richli, Betty 303 W. 5th St CA 92410 2001 Phone: 383 -4835 Spouse: San Bernardino CA 92401 OfficePhone: 383 -4445 Committee: Term Expires: 1999 Fax#: Committee: Roberts, Joann 379 N. E St Fax#: Phone: Rowand, Douglas K. Spouse: Farron San Bernardino CA 92401 OfficePhone: 890 -0211 x576 Committee: Term Expires: 1999 Fax#: 383 -2331 Roop, Ophelia Georgiev Spouse: Edward Committee: 555 W. 6th St San Bernardino Term Expires: CA 92410 2001 Phone: OfficePhone: Fax#: 792 -6886 381 -8210 381 -8229 Root, Anne 1264 E. Andreas Ave Phone: 882 -8091 Spouse: San Bernardino CA 92404 OfficePhone: Committee: Term Expires: 1998 Fax#: Rowand, Douglas K. 646 N. D St 883 -8671 Phone: 864 -1679 Spouse: Mary San Bernardino CA 92401 OfficePhone: 884 -9441 Committee: Term Expires: 2000 Fax#: 881 -5397 Savage, Lynda 3126 Valencia Ave Phone: 882 -7649 Spouse: Phillip San Bernardino CA 92404 OfficePhone: Committee: Ex Bd Term Expires: 1998 Fax#: Savage, Philip 600 N. Arrowhead Ave. #300 Phone: 882 -7649 Spouse: Lynda San Bernardino CA 92401 OfficePhone: 884 -2171 Committee: Ex Bd Term Expires: 1998 Fax#: 888 -2120 Schnarre, George PO Box 3028 Phone: 883 -8671 Spouse: Claudia San Bernardino CA 92413 OfficePhone: 883 -8666 Committee: Term Expires: 1999 Fax#: 881 -5397 Schnepp, Mary 1110 Devonshire Blvd Phone: 886 -4448 Spouse: Louis San Bernardino CA 92404 OfficePhone: 881 -1864 Committee: Ex Bd First VP Term Expires: 2000 Fax#: Terrell, Roberta 3730 Osbun Rd Phone: 881 -5184 Spouse: Charles San Bernardino CA 92404 OfficePhone: Committee: Ex Bd Secy Term Expires: 2001 Fax#: Valles, Judith Spouse: Harry Smith Committee: 3096 Broadmoor Phone: 882 -3604 San Bernardino CA 92404 OfficePhone: Term Expires: 2000 Fax#: 886 -2428 Page 6 Yarslow, Gregory 3911 Carmelina St. Phone: 887 -0261 Spouse: San Bernardino CA 92405 OfficePhone: 886 -4818 Committee: Term Expires: 1998 Fax#: 883 -5892 STAFF: Stewart Robertson, Maestro, 81 Poppy Road, Carmel Valley, CA 93924 408 - 659 -4375 John Gates, Personnel Mgr, 12502 Circula Panorama, Santa Ana, CA 92705 714 -516 -9177 Stage Manager, pending 8/12/98 Page 7 9 -96' #I QG C I T Y O F �an bernardino R A C H E L C L A R K C I T Y C L E R K October 19, 1998 Mr. Edward G. Hill, Jr. President, Inland Empire Symphony Association 362 Court Street San Bernardino, CA 92401 Dear Mr. Hill: At the meeting of the Mayor and Common Council held on October 19, 1998, your request for a loan in the amount of $175,000 from the Economic Development Agency, to be amortized over a five -year period, was continued to the next Mayor and Common Council/ Community Development Commission meeting. If we can be of further assistance, please do not hesitate to contact this office. Sincerely, Rachel G. Clark City Clerk CC: Council Member Miller Ann Harris, Main Street Gary Van Osdel, Executive Director, EDA P. O. B 0 X 1 3 1 8, S A N B E R N A R D I N O, C A 9 2 4 0 2 3 0 0 N 0 R T H 1 0 S T R E E T S A N B E R N A R 0 1 N 0. C A L I F O R N I A 9 2 4 1 8 - 0 0 0 1 ( 9 0 9) 3 8 4 - 5 0 0 2 ( 9 0 9) 3 8 4- S 1 0 2 F A X -( 9 0 9) 3 8 4. 5 1 S 8 T D D/ T T Y ( 9 0 9) 3 8 4- 5 5 4 0 It , .. C I T Y O F -AJ an bernardino R A C H E L C L A R K C I T Y C L E R K October 7, 1998 Mr. Edward G. Hill, Jr. President, Inland Empire Symphony Association 362 Court Street San Bernardino, CA 92401 Dear Mr. Hill: At the meeting of the Mayor and Common Council held on October 5, 1998, your request for a loan in the amount of $175,000 from the Economic Development Agency, to be amortized over five years, was referred to the Redevelopment Committee meeting of October 12; and continued to the Mayor and Common Council and Community Development Commission meeting of October 19, 1998. If we can be of further assistance, please do not hesitate to contact this office. Sincerely, Rachel G. Clark City Clerk CC: Council Member Miller Ann Harris, Main Street Gary Van Osdel, Executive Director, EDA P. O. 8 0 X 1 3 1 8, S A N 8 E R N A R 0 1 N O, C A 8 2 4 0 2 3 0 0 N O R T H 0 S T R E E T S A N B E R N A R 0 1 N 0. C A L I F O R N I A 9 2 4! 8 - 0 0 0 1 ( 9 0 9) 3 8 4- S 0 0 2 ( 9 0 9) 3 8 4 - S 1 0 2 F A X -( 9 0 9) 3 8 4- S 1 S 8 TO D I T T Y - (9 0 9) 3 8 4- 5 5 4 0