HomeMy WebLinkAbout04-Mayor's Office
CITY OF SAN BERN.bINO - REQUEST ~ COUNCIL ACTION
Fe:
Dept:
w. R. "Bob" Holcomb, Mayor -..
Subject: Appoi ntment of Soni a E. Baker
Fine Arts Commission per Mayor W. R.
Holcomb's request.
to the
"Babll
Mayor's Office
Date: February 13, 1991
Synopsis of Previous Council action:
NONE
Recommended motion:
e
Adopt recommendation of appointment of Sonia E. Baker to the Fine Arts Commission
per Mayor W. R. "Bob" Holcomb's request.
~-
/,h /7 A- f/ /
/;/ / ~-, - -
/' Signature
Supporting data attached:
YES
Phone: ext. 5133
Ward: ALL
Contact person:
Mayor W. R. "Bob" Holcomb
FUNDING REQUIREMENTS:
Amount:
-0-
Source: IAcct. No.!
IAcct. DescriPtion)
Finance:
4Incil Notes:
75-0262
Agenda Item No.
'I
-
.
.
RES U M E
e
Personal Data
Name: Sonia E. Baker
Home Address: 3147 Blythe Street, Highland CA
Zip
92346
Age:
Telephone:
(714) 864-7620
Have resided in the City of San Bernardino since
Marital Status:
Education
School of BlJs;npss Arlministrrltinn. Ilnivprc:;ity nf Ari7nn~. Tllrc:nn. AY';7nn~.
M.S., Urban Planning, 1979
University of Oreaon. Euaene. Oreaon, B.A. General Arts & Letters. 1957
Renton High School, Renton, Washington, Diploma, Valedictorian
.
e
Past Fmployment
University of Kansas, School of Fine Arts, Lawrence, Kansas 9/87-9/90 EDUCATION/
MtM~tRSHIP COORDINATOR, OFFICE OF CONCERT, CHAMBER MUSIC, NEW DIRECTIONS SERIES
Western Wisconsin RLgional Arts, La Crosse, Wisconsin. 11/80-6/87 ARTS ADMINISTRATOR
University of Wisconsin, La Crosse, Wisconsin, 1980 LTE RESEARCH ASSOCIATE,CENTER FOR
REGIONAL STUDIES
Current Employment
Occupation:
Finn Name:
Phone:
Address:
Zip Code:
Affiliations:
e
.
.
Sonia E, Baker
'.
3147 Blythe Street
Highland, California 92346
Telephone:
(714) 864-7620
PROFILE
Effective combi1:tation of interpersonal.. ana~ytical and organizational skills. Strengths include
(1) progr~m ~esl!\ll:' dev~lo'pment, and direction, .(2) management of marketing and promotions,
(3) co~r?matlon with eXlstmg local, area and regional arts and cultural organizations, (4) design
of po~c~es and procedures, (5) budg.et prep~ration and administration, (6) grant-writing,
fundralsmg and developmen~, (~) public speaking and community outreach, (8) leadership of
volunteer and support orgamzatlons.
Experienced motivator, coordinator an~ ~atalyst. Can focus the efforts ~f diverse groups onto
common goals. Able to access key deciSion-makers and benefactors, build effective networks
and create synergistic relationships. Systematic in approach, creating information flows, alliances'
and operating procedures that endure. Highly energetic. '
EDUCATION
School of Business Administration, University of Arizona, Tucson, Arizona
M.S., Urban Planning, 1979
University of Oregon, Eugene, Oregon
BA,General Arts & Letters, 1957
.
Renton High School, Renton, Washington
Diploma, Valedictorian
EXPERIENCE
University of Kansas, School of Fine Arts, Lawrence, Kansas, 9/87-9/90
Education/Membership Coordinator, Office of Concert, Chamber Music, New Directions Series
Developed programs to promote and enhance audience appreciation. Targeted community 'market
segments' and developed promotional and educational activities/events to reach them. Initiated and
built relationships with area arts organizations. Maximized "reach" through effective use of
resources. Promoted and managed volunteer supporters. Located and developed corporate
sponsorship. Promoted and facilitated the Swarthout Society (auxiliary member organization).
Special projects: V.I.P. host to Resident Artists; created the Young People's Performance events;
developed the F'1ve-Year Educational Long-Range Plan to expand programs and coordinate with
opening of the Lied Center for Performing Arts in 1992; produced annual Swarthout Society
Membership Brochures, as well as the regular publication of the Swarthout Society Newsletter.
Concurrent with this full-time position, maintained community service efforts: Chamber of
Commerce, Cultural Affairs Committee (Arts Calendar of Events, Business and the Arts Awards);
Downtown Lawrence Business Association ("Main Street" Program of Events); and City of Lawrence
(Arts in Public Places Program).
Western Wisconsin Regional Arts, La Crosse, Wisconsin, 11/80-6/87
Arts Administrator
.
Provided leadership, direction and daily management of a seven-county, tri-state Regional Arts
Council. Reported to the Board of Directors; coordinated all working committees; interpreted and
implemented Board policies; established daily operating procedures; supervised all staff and
volunteers; managed the organization's central facility, a federally designated Historical Landma.rk
building housing arts organization offices, visual and performing arts events, classes and commumty
events. Developed and controlled $100,000 operating budget, including monies from grants,
fundraising activities, corporate donors and private benefactors.
Initiated and maintain_lose relationships with member Organizati. ensured positive press and
public relations within the larger community; served as liaison to City Hall. Executive Coordinator
of all services to member organizations, schools, and regional communities.
e
Highlights: Won 17 foundation and government grant awards; founded and served on Executive
Committee for United Fund for the Arts & Humanities; organized the Coordinating Committee of
Arts Organizations Representatives; initiated and found funding for a successful building restoration
project for organization headquarters, including historic preservation funds; increased visibility for
the arts through marketing techniques, including extensive use of free media exposure and public
speaking.
University of Wisconsin, La Crosse, Wisconsin, 1980
LTE Research Associate, Center for Regional Studies
Conducted a pilot research project on the impact to and requirements of older adults living in a
rural region. Made key contributions to project design. Made contacts, conducted interviews,
provided evaluation for potential of P.O.E. (Post Occupancy Evaluation) for a behavior assessment
tool. Developed the written summation.
U.S. Department of Housing & Urban Development, Tucson, Arizona, 1978-1979
HUD Intern, City Planning Department, City of Tucson
Designed and established a Plan Monitoring System to give planning staff more precise information
and access to resources for use in neighborhood-by-neighborhood planning. Organized the project,
conducted original research; wrote, tested and emplaced the system. Wrote guidelines for
maintenance and evolution of the system. Also provided related grant research for programs
oriented toward families.
Grey Advertising, New York, New York, 1974.1976
Executive Secretary
e
Reported to the Vice President in charge of the Revlon account. Maintained all Revlon account
fmancial spreadsheets, communications and appointments. Supervised office personnel.
CONSULTANCY
Wyoming Volunteer Assistance Corporation, 1989
Seminar Leader, Time Management/Avoiding Burnout
Lied Center for Performing Arts, Lawrence, Kansas, 1987-1989
Space/Design Consultant
Downtown La Cross Business Association, 1984-1985
Year 2000 Plan
Eastbank Artists, 1984
Retreat Leader, Organization/Board Development
La Cross Tribune Readers' Panel, 1983-1984
Panelist and Advisor
Wisconsin Arts Board, 1983.1987
Peer Panelist (also: budget testimony to House/Senate Budget Committee)
General Public Speaking, 1975.Present . .
Arts Administration, City Planning, organizational Development (also: media relatiOns and
representation/testimony/lobbying to government agencies at city/state/regional levels)
PUBLICATIONS
e
List on request.
REFERENCES
Attached.
CITY OF SAN BERN~bINO - REQUEST I(.-:R COUNCIL ACTION
F.--:W, R. "Bob" Holcomb, Mayor
'-'
Dept: Mayor's Offi ce
Date: February 13, 1991
,.
Subject: Appoi ntment of Sally Kovach to the
Ffne Arts Commission per Mayor W. R. "Bob"
HolLomb's request.
Synopsis of Previous Council action:
NONE
Recommended motion:
~ Adopt recommendation of appointment of Sally Kovach to the Fine Arts Commission
. per Mayor W. R. "Bob" Holcomb's reques t.
'-'
/;/7/ 7 ~
/'
Yes
Ward:
ext 5133
All
Contact person:
Mayor W. R. "Bob" Holcomb
Phone:
Supporting date atteched:
FUNDING REQUIREMENTS:
Amount:
-0-
Source: (Acct. No.1
(Acct. Descriotionl
Finance:
,-.
'-oneil Notes:
Agenda Item No.
tt
...'" n.,.."
.
RES U M E
.
e
Personal Data
Name: Sally Kovach
Home Address: 787 West Edgehill Road, SB CA
Zip 92405
Age:
Telephone:
882-7043
Have resided in the City of San Bernardino since
1987
Marital Status:
Education
Doctor of Education, Columbia University
Master of Fine Arts, Cranbrook Art Academy
Master of Education, Wayne State University
~ Bachelor of Fine Arts, Michigan State University
Past Employment
.
1984 _ Artist, Blue Lake, Michigan, 1984/82 - Chair, Department of Art and Art History,
Beloit College, Beloit, Wisconsin. Associate Professor Teaching sculpture and ceramics.
(see resume attached)
Current Employment
Occupation: Chair. Department of lrt. California State University. San Rernarninn ~
Address:
5500 Parkway University Dr.
Phone: 887-7459
Zip Code: 92411
Firm Name: SBCSU
e
Affiliations:
National Council on Education in the Ceramic Arts (NCECA). Glass Ats Society (GAS).
Michigan Glass Guild. College A t Association (CAA). Foundations in Art. Theory. and
Education (FATE). National Art Education Association (NAEA). Michigan Art Education
Association (MAEA).
.
.
RESUME
&u,y KOVACH
ADDRESS:
EDUCATION:
1Il
Doctor of Education. ColUllbi.a University
Master of Fine Arts. Cranbrook Art AcadellY
Master of Education. Wayne State University
Bachelor of Fine Arts. Michigan State University
Sally Kovach
787 West Edgehill Road
S8n Bernardino
California 92405
l)f'(:-g-t';). -~"'J ~
7/'1 -Int? _?<(sy ottC<.e.
EMPLOYMENT EXPERIENCES
eM... bep--+"'~e.Lt<< Ak, tAli1;N"~ ~Jz,.kD~<ve-&'\ly J Sari ~i~G/CA
Art1st~ Blue Lake, Michigan (see note last page)
Chair. Department of Art and Art HistorY. Beloit College, Beloit,
Wisconsin. Associate Professor teachinv sculpture and ceramics.
19'11-
1984-
1982-
1984
e
Organized the art faculty to revise the entire dellll1'tmental C1l1'1'i.culUII
to strengthen it to meet the accrediting standards of the National
Auociation ot Schools ot Art and Design (NASAD). Course contents
lIere revised, nUllerous nell courses added, and substant1al tinancial
support tor individual faculty members lias obtained tor nev curricular
development. Received all-college approval ot nev curriculUII.
Initiated total facility renovation of the tllo-building art complex,
raising the departllent from the 1011 est level to the top level ot
adm1n1strative priority tor renovation expenditures. created and
stocked new claseroom!studios, galleries, a slide llbrar)', ottices,
workrooms, and lounges, and renovated existing studios tor design,
art education, sculpture, and ceramics. Initiated renovation ot
surrounding grounda and landscaping.
Initiated equipment repair, rebuilding and replacement to bring all
un! ts in studios up to OSHA standards. Enforced standards for
organization and c1E'.ning on maintenance staft.
SUbataD+.i."y 1ncreased d811artment bud2et alloring faculty nell
equipment parchas.. and greatly increased operating badgets. (For
uuple, the Art Histo1'1 badget IIlIl tiplied by 4 and the d8JIartment
work.-etu~ badget IIlIl tiplied by 6.)
SUbatani<i."y detended and raised art taculty aalaries. Encouraged
art tacul ty to aPPl1 tor academic research grants and suss..sf'ully
defended these applications.
e
Initiated nuJleron& new recruitment activities. including obt--ini"g
Art Scholarships, starting campus-vide Arts Reviell Days tor prospective
students, establishing portfolio requirements, writing departmental
brochures, and organizing an etticient contact system vith prospective
students.
.
.
Sally Kovach
e EMPLOYMENT EXPERImfCES. CONTINUED
Initiated interdepartmental promotion efforts with the Departments of
Music, Dance, Theatre Arts, and English (creative II1'iting) to increase
enrollments and internal and external college prestige. Served on
ad-hoc committee to create new Division of Fine and Performing Arts.
Substantially defended the Art Education pr02rall and returned its
administration from the Department of Education to the Art Department.
Justified increased faculty and curricular needs to the higher
administration. Received approval of nev program from the Wisconsin
Department of Public Instruction.
Wri~ht Museum of Art. Curator of Decorative Arts. 1982-83
The Department of Art and Art History shares a portion of its
facilities with the Wright Museum of Art, its several galleries,
million-dollar permanent collection, and rotating contemporary
exhibits. The museUll bas a representative historical collection
and noted holdings in Far Eastern art and German Expressionist
graphics.
e
Co-sponsored the initiation of the MuSeUll Studies prolZ1'Ul with the
Director of the Logan Museum of Anthropology, a new academe minor
in museum studies jointly administered by the depart.ents of Art and
Anthropology
Member. Wright Art Museum Director Search Co....i ttee. 1982.-83
Chair. Art Historian Search Committee. 198~3
Member. C8II'Dus Facilities Colllllli.ttee. 1982.-84
The presidential-appointed Campus Facilities Com.ittee consists of
four top em.ini strators and three faculty members and meets weekly
to assess, evaluate, and resolve the long tara needs of both academic
and non-acadellic programs. Creation and funding of a large Campus
Center, numerous building renovations, space allocations, and major
budget priorities are routine considerations of this committee.
Member. Cultural lUId CollllllUl1ity Aff"i,.s Colllllli.ttee. 1982.-83
The faculty Cultural and C01lllllUnity Affairs Committee ,solicits ideas,
plans, and funds most campus visiting lectures and performances.
e
Me.ber..mcholo~ Review Co!!!,!,i ttee. 1983-84
Administrative-appointed faculty review committees are established
periodically to reviev and assess various departments I strengths
and weaknesses and lIIlIke suggestions for improvements in curriculum,
staffing, and other needed areas.
Revised several courses in foundation, oeramics, and sculpture, intro-
duced an industrial design oourse to suppleaent the design curriculum,
and developed new inte1"-disoiplinary senior seminar, Art in Context:
Societal Uses of the Visual T..n'"'....e.
(2)
.
.
Sally Kovach
e EMPLOYMmT EXPmII!JfCES. OONTlNUED
1979-
1982
e
1978-
1979
1975-
1978
e
Assistant Professor heading the art education program and teaching
design and clrawing at Skidmore College, Saratoga Springs, New York.
Elected representative of the 3-D faculty to the Art Department Faculty
Advisory Committee which participates in the evaluation of faculty
candidates for tenure and recontract, 1980-82. Co-Chair, 1981-82.
Initiated !':lri dmore Saturday Art. an enrichment program in the visual arts
for area students, aged 7-17, taught by college art students and faculty.
Wrote the COlll'Oetency Based Teacher Education proposal (CBTE) for the art
teacher certification program approved by the New York State Department
of Education.
Developed three new courses: Art. Education. and Society. a selliDar
course for senior art majors, Art for the Classroom Teacher. a media/methods
course for elementary education and child development majors, and a
winter ten course, the PsycholollY of Visual CollllllUJlications.
Member of the all-college Teacher Education Co-ordinatina Committee.
Awarded Facultv Research Grants for work in glass, 1980, 1981, 1982.
Assistant Professor teaching art education, two, and three-dimensional
design at East Tennessee State University, Johnson City, Tennessee.
ETSU is the accredi t1ng institution of the Penland School of Crafts.
(Occasional guest glass teacher at Penland School of cratts.)
Assistant Professor and Co-ordinator of ceramics and glass department at
Glassboro State College, Glassboro, New Jersey, teaching beginning through
graduate level students in clay and glass.
Member of the Art DepartIIent Budget and Facilities Committee, 197~77.
Chair of the Art De'Dartment Bud2et and FacUities Committee, 1977-78.
The Art Departllant vas organized by three major elected faculty
colllllittees: Budget/Facilities, Curriculum, and Personnel. The
ciepu'taent chair and the ch&irpeople of these three committees
foned the principal decision ...lring board of the department. As
cba1r of the Budget/Facilities Committee, I was responsible for all
bIldcetary organization, determining and justifying all budget
requests submitted by the department chair to the college adminis-
tration and allocating all department monies. Maintenance problems,
studio renovations, expanding facilities, i.e., designing a faculty
office-complex from previously poorly used space, were all routinely
adm1n1st.ered by the Budget/FacUi ties Committee. In addition, to
alleviate ever present budget restrictions, I was able to tap
previOuslY unused sources of money. By organizing several student
art clubs, for example, the Ceramics/Glass Guild, the Exhibition
Committee, GraphiCS, and so forth, \/e were able to channel over
$10,000 in student government funds to pay for such things, as
(3)
.
.
SaJ.ly Kovach
~!MM EXPEIlTF.lfCES. OONTINUED
gUest artists, workshops, student publications, and permanent
gallery installs.tions. In addition, solicited donations in
materials and supplies from area industries averaged over $10,000
annually.
Member of the Art Department Portfolio Review Committee, 1975-76.
Chair of the Art Department Admissions Committee. 1976-78.
The voluntary faculty Portfolio Review Committee traditionally
reviewed work of potential incoming students. Under IIf1 leadership,
the committee expanded to become an Admissions Committee, under-
taking the additional res'ponsibllity of active recruitment of new
students through stUdent/parent/faculty conferences and campus
tours, workshops in high schools, a workshop/conference for high
school art teachers, revised bookkeeping procedures to eliminate
loss through red tape confusion, and vastly increased publicity.
While enrollments declined college-wide, new enrollments in the
Art Department increased over sixty percent in 1977.
Co-orninAtor of the ceramics and I!lass Prol!rlllll:
e
Major improvements in the ceramics facilities were made: the kiln
room was redesigned and rebuilt by students, the electric kilns were
all rewired to be brought up to OSHA standards, the courtyard out-
side the ceramics studio was enclosed, and a salt kiln and large
stoneware kiln were built. My contacts with industries in the area
brought major donations in materials (over $12,,000), and our willing-
ness to construct wbat vas-needed enabled us to. get improvements done.
Additional courses were added to the curriculum: Advanced Ceramics,
Bel!inninl! Glass. and short term courses, SaJ.t Glaze Processes. and
How to Make it in the Crafts World. a business course for crafts
students.
Our glass program began spring semester, 1976, at Wheaton Village,
Millville, New Jersey, receiving major publicity in papers, locally,
state;..w:l;de, and in Philadelphia.
A major regional Glass Conference was organized and held at Wheaton
Village in April, 1977, with faculty, students, and professional
production craftsmen attending from all over the east coast.
e
Several guest artist workshops were held featuring Philadelphia and
east coast artists. Glassboro students also attended over twenty
major workshops featuring internationally known artists at Tyler
School of Art, Penn State University, Philadelphia College of Art,
and Moore College of Art.
My graduating students specializing in ceramics or glass have been
placed repeatedly in good graduate schools (Cranbrook, Tyler, Alfred,
etc.), teaching positions, or jobs in the field, including. professional
potters and glallsblowers in industry and production craftsmen.
(4)
.
.
Sally Kovach
~LOYMENT EXPE1lT'rnCES. CONTINUED
1974-
1975
e
1971-
1972
1970-
1971
1969-
1970
1968-
1969
1965-
1967
1964-
1966
e
Wrote and designed Art Department brochure, 1977.
Member of the Graduate Committee, 1975-78.
A faculty steering committee to direct the Master of Arts program
in Art Education.
Initiated and co-sponsored the annual student Print and Pot Sale.
Faculty Advisor to the student Ceramics and Glass Guild.
Organized national invitational exhibition of contemporary crafts at
the Westby Gallery, March 1978.
Allarded Faculty Research Grants 1977, 1978.
Taught glass, art education and dralling at Bollling Green State University,
BOllling Green, Ohio, as Instructor on one-year contract. Appointed to
Graduate Faculty, January 1975.
Hosted the Glass Art Society, international organization of glass
professionals, for an afternoon 1I0rkshop and tour during the 1975
national conference in Toledo, Ohio.
Designed and rebuilt BOllling Green State University glass studio,
building tllO nell furnaces and three nail lehrs (annealing ovens).
Taught junior high school art, Lederle Junior High, Southfield, Michigan,
Public Schools.
On educational leave of absence from Southfield, Michigan, Public Schools.
Did substitute teaching, K-12, art and mathematics, in the Dearborn,
Michigan, Public Schools.
Taught adult education ceramics for the Southfield, Michigan, Public
Schools.
Taught high school art and mathematics, Southfield High School, Southfi.eld,
Michigan, Public Schools.
Taught elementary and junior high school art, Birney Junior High and Elementary
School, Southfield, Michigan, Public Schools.
Worked as a Resident Assistant (dormitory counselor) for Michigan State
University, East Lansing, Michigan.
Worked summers as a production lIeaver and craftsman at Greenfield Village
and Henry Ford Museum, Dearborn, Michigan.
(5)
.
.
Sally Kovach
.
MAJOR SlllWS AND AWARDS
(For brevity's sake regular gallery representation and faculty sho1ols are omitted.
Active participation in both are assumed to be part of the professional responsibility
of a studio faculty member.)
e
July 1977
Glass Works-1986. Invitational, ArtSource, Flint,
Michigan.
Glass on HolidaY. International invitational, The Gazebo,
Gatlinburg, Tennessee.
Solo Exhibition. University of Wisconsin/Parkside,
Kenosha, Wisconsin.
Solo Exhibition. Court Gallery, Wright Museum of Art
Beloit, Wisconsin.
Group Exhibition. National illvitational, Great American
Gallery, Atlanta, Georgia.
Glass on HolidaY. International illvitational, The Gazebo,
Gatlinburg, Tennessee.
Solo Exhibition!. Macy Galle17, ColUllbia University, Ne10l
York, Ne10l York.
Three-Person Sho1ol. Skidmore Gallery, Saratoga Springs
Ne10l York.
The Thirteen Collection. Previe10l Exhibit. Juried
invitational, Sotheby Parke Bernet, Ne10l York, Ne10l York.
American Glass '81. Invitational, Westlake Gallery,
White Plaills, Ne10l York.
Ne10l American Glass. Focus West Virginia, Exhibition of
the Glass Art Society, Huntington Galleries,
Huntington, West Virginia.
8th National Glass Exhibiti?n. Invitational, Habatat
Galleries, Lathrup VllJ.age, Michigan.
Women in Glass. National invitational, The Craf'tsman' s
Gallery, Scarsdale, Ne10l York.
ContellPorarY Glass Microfiche Exhibition-1978. Corning
Museum of Glass, Corning, Ne10l York.
ClaY. Glass. and Metal. Three Person Sh01ol, the Slocumb
Gallery, Johnson City, Tennessee.
6th National Glass Exhibition, Invitational, Habatat
Galleries, Dearborn, Michigan.
ContellPorarY Glass Microfiche Exhibition-1977. Corning
Museum of Glass, Corning, Ne10l York.
eo' e te tional ts
. T10Ieed Muse\lll of Art, University 0 Minnesota,
Duluth, Minnesota, Jurors: Ruth L. lao and Harvey
Littleton.
April-May 1986
July-September 1984
October 1983
February-March 1983
August 1982
July-September 1982
April 1982
.
April 1982
April 1980, 1981, 1982
May-June 1981
June 1980
April 1980
February 1980
1979
January 1979
April 1978
1978
(6)
e
March 1977
November 1976
November 1976
November 1976
December 1976
December 1976
October 1976
May 1976
e April
1976
1976
January 1976
i<ovember 1975
August 1975
Lay 1975
April 1975
Hay 1975
November 1974
e December 1974
(A) Denotes a\lard
.
.
Sally Kovach
MAJOR" .sHOWS AND AWARDS. OONTINUED
National Glass Exhibition. 1977, Invitational, Habatat
Galleries, Dearborn, Michigan.
EiEht Craftsmen, Invitational, "Robert Kidd, Associates"
Gallery, Bin:ingham, Michigan.
ContelllPOrary Crafts Exhibition-1976, Dela\lare Art Museum,
Wilmington, Dela\lare.
Marietta ColleEe Crafts National, Marietta College,
Marietta, Ohio.
Marietta ColleEe Crafts Natio-' To"....".. Exhibition,
Meristta, Ohio.
Holiday Exhibition. Invitational, "Robert Kidd, Associates"
Gallery, Birminghall, Michigan.
Solo Exhibition, Gloucester County College, Se\lell,
Ne\l Jersey.
(A) Objects '76. Crafts Exhibition. Best Glass In Sho\l,
Birmingham-Bloomfield Art Association, Birmingham,
Michigan, sponsored 'by the Michigan Craftsmen Council.
Scarab Club National Glass Sho\l, The Scarab Club, Detrcit,
Michigan.
ContelllPOrBrY Glass Exhibition, Wheaton Museum, Wheaton
Village, Millville, Ne\l Jersey.
ContelllPOrBrY Glass. 1976, ContellpOrary Art Glass Grcup,
Lever House, Ne\l York, Ne\l York.
ContelllPOrBrY Crafts Exbibition-1975. Dela\lere Art
Museum, Wilmington, Dela\l&re, Jurors: Paul Smith,
Helen Drutt, and Virginia West.
(A) (A) Objects '75. Desimer-Craftsman Sho\l, Judges Choice A\lard,
Purchase A\lard, Western Colorado Center for the Arts,
Grand Junction, Colorado. Juror: Paul Soldner.
NCECA-ACS Glass Show, National Council on Education in
the Ceramic Arts presents to the American Ceramic
Society national industry meeting, Washington, D~C.
(A) Scarab Club National Glass Show, Honorable Mention, The
Scarab Club, Detrcit, Michigan. Juror: Tom McGlauchlin.
Toledo Area Artists Exhibition, Toledo Museum of Art,
Toledo, Ohio.
(A) Marietta ColleEe Crafts National, Judges A\lard, Marietta
Ohio, Jurors: Richard Stankievicz, Charles Lekofsky,
Astra Klienhoffs-Strcebel.
. Glass Art ReEistrY, International competition for traveling
slide exhibition, "Glass Art" magazine, Oaklana,
California.
(7)
_
January 1974
January 1974 (A)
December 1974
1974-1975
September 1973
Fall 1973
September 1973
November-December 1973
July 1973
_Harch 1973
November 1973
Harch 1973
May 1971, 1972, 1973
February 1973
February 1973
December 1972
1971
1971
November-December 1971
_November 1971
(A) Denotes award
.
&y Kovach
11AJOR SHOWS AND AWARDS. OONTI}roED
Two-Person Show, Left Bank Gallery, Flint, Michigan.
Artist Craftsman-~uchigan. Third Place Award, The Art
Center, Mt. Clemens, Michigan. Juror: Robert Kidd.
Artist Craftsman Invitational, Detroit Artists Market,
Detroit, Michigan.
Michigan Glass Guild State Traveling Exhibition, touring
}uchigan under the auspices of the Michigan
Craftsman's Council during 1974 and 1975.
Opening Exhibition, Juried invitational, Detroit Artists
l-larket, Detroit, Michigan.
National Print Exhibition, American Embassy, Brussels,
Belgium.
Opening &~bition, LeBeau Gallery, Invitational,
Saginaw, Michigan.
Artist-Craftsman Invitational, Detroit Artists Market,
Detroit, Michigan.
Objects' 73. Designer-Craftsman Show, Western Colorado
Center of the Arts, Grand Junction, Colorado.
Graphics '73. Third Biennial National Print and Drawing
Exhibition, Frances McCray Gallery, Western New
Mexico University, Silver City, New Mexico.
The Single Impression: International Exhibition of
Monotvpes and Monoprints, Oglethorpe University,
Atlanta, Georgia.
Eighteen Printmakers, Zochipili Gallery, Rochester, l'uchigan.
Annual Grosse Pointe Garden Show, Detroit Artists Market,
Detroit, Michigan.
ll..th Annual Mid-Michigan Exhibition. Midland Center for
the Arts, Micland, Michigan.
Art Center Michigan Annual, The Art Center, Mt. Cleme1ls,
Michigan.
Artist-Craftsman Invitational, Detroit Artists Market,
Detroit, Michigan.
7th Biennial Michigana Retional Art Exhibition, South
Bend Art Center, South Bend, Indiana.
Michigan/71 COmPeti ti ve. Midland Center for the Arts,
Midland, Michigan.
Artist-Craftsman Invitational, Detroit Artists Market,
Detroit, Michigan.
22ndExhibition for Michigan Artist/Craftsmen, Detroit
Institute of the Arts, Detroit, Michigan. Juror:
Francis Merritt.
(8)
-1964
1964-
1968
_
1969-
1972
1970
1971-
1972
1972-
1975
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1980-
1986
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&allY Kovach
EDUCATIONAL EXPERImCES
Graduated fro. Fordson High School, Dearborn, Michigan, January 1964
as class valedictorian. Attended Henry Ford ComlllUu:ty College, Dearborn,
Michigan, during the spring semester. 4.0 average
Attended Michie:an State University. East LansiJ:Ig, Michigan, on a Merit
Scholarship. Graduated in 1968 with highest honors. Received a Ba:Chelor
of Fine Arts degree and a Michigan teaching certificate, K-12.
Major: Fine Arts, with emphasis in prin+..alrlng; Minors: Grafts, Mathematics
Officer or member of the following honorary societies:
President, Kappa Delta Pi, education honorary
Student Board Member of the Honors College
Member, Phi Kappa Phi, all-university scholastic honorary
Member, Alpha 1alIIbda Delta, freshman honorary
Participated in the following major student government activities:
Member of the Academic Co-ordiJ:lating Colllllittee who initiated Student
Advisory Collllllittees in every departllent of the university to work
with chairs and deans to establish policies and procedureS.
Secretary of the Student Academc Council, the acadellic branch of
student govermaent, consisting of student representatives from each
of the numerous colleges on campus.
Student me.bar of the faaul tJ Lecture-Concert Series which brought
nationally known entertaiJlllent to caJlPUs.
Student .ember of the faculty University Grading Coaaittee which
initiated _jor changes in the university's grading policies.
Chair of the Art Depart.ent's Studmt Adviso%'1 Coaaittee
Student Government Awards:
Semar of the Week
One of n 50 OutstandiJ:Ig Wo.en"
Member of the '68 Club, 68 outstandiJ:Ig graduates of 1968
Began WaYne State University. Detroit, Michigan, as a graduate student iJ:I
pr1ntmalriTlg. Transferred iJ:Ito the College of Education and received a
Master of Education de e iJ:I Edu 0 0 with primary research
iJ:I he field of creativity.
Began blowing glass at the Bloollfield Art Association, B1rII1ngham, Michigan.
Received a Grallhics Assisbntship to Havstack Mounhin School of Grafts.
Deer Isle, MaiJ:le, for their SUIIIIIer session. ContiJ:Iued blowing glass there.
Blew glass at the Art School of the Society of Arts and Crafts (now Center
for Creative Studies), Detroit, Michigan.
Began cranbrook Art AcadellY. Blooll1'ield Hills, Michigan as a graduate
student iJ:I pr1n+..alrlTlg. Elected departllental representative, then Vice-
President of the student governing board, the studio Council.
Transferred to the sculpture departllent as ~ass Tea...Mnl7 Assistant.
Designed and rebuilt Cranbrook glass facili es. Received a Master of
FiJ:Ie Arts degree as first glass major fro. cranbrook.
MiJ:lors: prin+....lrlng and fibers
Doctoral candidate at Teachers Collelle. Columbia University. New York.
Doctor of Education degree awarded 1987. D1ssertaUon topic: Professional
Grafts Education: Historical/Contemporary Alignments.
(9)
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. Sally J:ovach
PROFESSIONAL AFFILIATIONS
aOrk c Po olio Files of the il.
ork is repre.eted in privat.e, IllUseum, governmental, and corporate collections.
Na 0 tion in the C Art NC mllllber of this
nati orgaIlization of ceramic and glass college t.eachers and professionals.
One of 15 artist.s selected nationally by Ncn to represent. the abest. of
cont.aponry work being produceda in glass to the AIIIerican Ceramic Society,
national industry meeting. 1975, Washington, D.C.
ens ot tour glass artist.s selected nationally :to give slide presentation of
work, n\lh1 Glass for the Creative Stat.llIIent.n, at. the 1977 national conference,
Greeley, Colorado.
G1...s Art Society (GAS). member of this international organization of glass
professionals.
Michillan Glass Guilq. one of the original founders and first secretary to this
state organization. Nevsletter Editor for several years.
Collelle Art Association (CAA). member of this national organization of college
art teachers and professionals.
Foundations in Theo and Education FATE millibar of this affiliated
organization of College Art Association aimed at supporting studio and
acadllllic foundation education in the arts.
One of six college administrators selected to give a presentation, nLearning
_ Hov to Teach the Basics: The Education and Evolution of the Foundations
_ Professionaln, at the Mid-America College Art Assooiation Conference. Iova
City, Iova, 1982.
Natio Education
ev York state s 00 tion NY TA
Numberous presentations, vorkshops, and gallery taJJts have been given to college
audiences and local SIIId state art organizations.
WORlt IS TT.T.USTRATED IN THE FOLLOWING PUBLICATIONS
(For brevity's sske, nevspaper revievs are omi ttedo)
e
Microfiche
ContelllllOrsrY Glas. m!, 1979, Microfiche reviev of oontemporary international
glass art, Corning MuSWIII of Glass, Corning, Nev York.
ContellDOr&rY G}.... ~ 1978, Microfiche reviev of contemporary international
glass art, Corning Museum of Glass, Corning, Nev York. "
IntSfi!tional MaD.... "e
ass Art. December 1974, ColIIPetitive International Registry of Glass Artists,
p. 9, 0-1I-1,,,d, California.
Glass Art, December 1973, COlIIPetitive International Registry of Glass Artists,
p. 8, Oakland, California.
Redonal Art Journal.
RiVS1'1"lU1, ! Journal of ~ Arts, Vol. 1, No.3, 1973, Detroit, Michigan.
~j.etdes't. Vol. 1, No: ~Apru 1966, Lansing, Michigan.
Red Cedar Reviev. Vol. 4, No.1, Spring 1966, Lansing, Michigan. .
Trade Journal
Buil~'l"-;s. February 1964, cover photo, Cedar Rapids, Iova.
(10)
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Sally Kovach
Note:
(from first page)
In early 1984 I decided to begin looking for an administrative position
in a larger or more professional art institution. Within a few months I was
surprised and delighted to find my applications successful as I was being
considered a final candidate in a number of administrative searches. In an
interview for a Dean's position at a large midwestern university (a position
I was given to understand would be offered) I asked the about.-to-retire Dean
about the possibility of a ten-month rather than twelve-month contract. When,
surprised, he questioned my request, I explained that my ow professional work
was significant to me. He chuckled conspiringly saying, "I thought, at our
level, one was past all that silliness."
I was struck by the thought that not only was I not past what I didn't
consider silly but in my last ten years of university level teaching and
administration my commitment to my ow studio work, while intense, had always,
I believe rightly, been second to my commitment to a college. I reviewed my
finances and within days decided to resign my current position and withdraw
as a candidate where I was under consideration. I felt I deserved and needed
time to reaffirm my ow involvement in my work and reestablish my continuing
reputation as an artist.
An art administrator in an educational institution need not be an artist.
But one must know, at a gut level, the degree of involvement necessary to make
that stuff we call art.
(ll)
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CITY OF SAN BERNeDINO -
REQUEST FeR COUNCIL ACTION
F_ W. R. "Bob" Ho~comb)'4aYOr
Dept: t1ayor' s Offi ce ,-- - - '
Date: February 20, 1991
Subject: Appointment of Glen 1. Gipson to the
Community Television Commission per Councilman
Tom Minor's request.
Synopsis of Previous Council action:
NONE
Recommended motion:
e
To approve the appointment of Glen I. Gipson to the Community Television Commission
per Councilman Tom Minor's request.
Contact person:
W. R. "Bob" Holcomb. Mayor
Phone: extension 5133
Supporting data attached:
YES
Ward:
.sth ward
FUNDING REQUIREMENTS:
Amount:
-0-
Source: (Acct. No.)
(Acct. Descriotionl
Finance:
anCil Notes:
Agenda Item No.
'I
75.0262
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City of San Bernardino
INTEROFFICE MEMORANDUM
9102-1101
TO: Mayor W. R. "Bob" Holcomb
FROM: Council Office, Ward Five
SUBJECT: Appointment - community Television commission
DATE: February 11, 1991
COPIES:
-------------------------------------------------------------
Request Glen I. Gipson be considered for appointment to
serve on the Community Television Commission. A copy of Mr.
Gipson's resume is attached for your information.
-/ z,m ~
TOM MINOR
Councilman, Fifth Ward
TM:jv
Attch.
.
RES U M E
.
_sonal Data
e:
Glen I. Gipoon
Home Address:
6495 Pa1.m Ave.
San B~na4d.tno, CA 92407
Date of Birth:
Janua4Y 30, 1940
Telephone:
(714)
887-5445
Have resided in the City of San Bernardino since 1950 (41 ljea4;,1
I am
xx
am not
a registered voter.
Mari tal Status: MMued 31 yealLo - wi6e Joanne - 2 ehil.dlLen ageo 22 and 20
Education
. Past
e
GILadua.te San BelLnalLd.tno High Sehool 1957
A;,ooe.i.ate 06 AlLto VeglLee San BelLnalLd.tno Va.t.e.ey Co.e..tege 1969
VauoU4 Navy teehn.i.ea.t oehoo.l.6
EmPlo:.ment
U. . Navu - 1959 :ta 1963
I.B.E.W. Loea.t #477 - San BelLnalLd.tno,
CA 1963 to plLeoent
Current Employemt
Address:
I.B~E~W. Lo~nP #477
955 W. Je66e1L6on - San B~nMd.tno, CA .
phone: 884-9816
Firm Name:
Affiliations
I.B.E.W. -OM Ladu of.. 1:.he. AAAUhlrJ:tiDrL CarnnJlf' C.hllhf'h
The information provided is factual to the best of my knowledge. I understand that I will
be required to sign a "Statement of Economic Interests" form as required by law. and that
I will abide by all the codes and ordinances of the City of San Bernardino and the State
~f California.
.dLLJ~Q4~V
SIGN
FOhhllnhlfA11
ATE'
1QQ1